I've been thinking about connection and disconnection, nearness and distance, a lot lately. Maybe it's just end-of-year-stock-taking, maybe it's part of the aging process, maybe I'm just seeing the world becoming increasingly fragmented in spite-- or maybe because-- of our personal technological and communication devices and the "advances" they provide.
Only Connect is the title of a book about connecting reading and writing, written by a former professor and colleague of mine at UNH, Tom Newkirk, about those connections and about how connection in general is essential to being human. The title is lifted from a passage in E.M. Forster's novel Howards End: "Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect, and the beast and the monk, robbed of the isolation that is life to either, will die." I'm always struck, when I quote real and accomplished writers, how ballsy it is for me to throw my little onanistic bits out there; I can't help but suffer by comparison, and yet there it is....
Humans are a social species, as, I guess, what species isn't? But given our constantly shifting and developing ever-more-sophisticated means of communication, isn't it ironic that we actually have less and less personal communication, about less and less essential stuff? It's easy to discover what someone had for breakfast or what they're doing at any given moment, 'cause we tell each other those things way too readily. How much of the real, important, soul-searching-and-connecting stuff gets out there, though? I'm afraid that it's less and less, and maybe because we're so inundated by the trivial that we don't even know what's important anymore. Connection kills the beast and the monk(!), socializes us, and lets us know how alike we really are. Some of you who read this may be stunned that I think this way, but I guess sometimes--or often--perception is reality.
Saw a Louis C.K. special recently on HBO, I think. I don't love some of his stuff, as it's too crassly and gratuitously vulgar for me (shocking, eh? I do have some standards, though), but he can be a pretty brilliant and incisive social commentator. One of his bits concerned an experience he had at his daughter's dance recital; as the performance began, suddenly every parent in the audience held up cell phones to take photos or video of their darlings' every movement. The cameras, of course, were directly in front of the parents' faces; effectively, they were blocking the real, the here-and-now, in order to record the event to be viewed later, maybe--do people really look at that stuff after it's happened, after it's recorded? Or do they just post it to MyFace for friends, relatives and strangers to ignore?-- and in inferior aural and visual quality. As C.K. put it, the resolution's way better in real life. I was thinking of that when I commented on people camping out for days over Thanksgiving in order to stock up for Christmas, choosing the one event over another or, in this case, reality for a technologically reproduced facsimile. The actual is sacrificed for a virtual representation at one remove, at least, from reality. How can that be good?
Another sign of the coming apocalypse, or maybe just another indication of fragmentation and disconnection in society, is the practice of people foregoing land phone lines for cell-only. Now, I get the rationale economically, and it may be a really minor point, but back in the olden days, when you'd call a phone number, there was an air of mystery or uncertainty involved. Who was gonna answer? Were you going to speak with the person you were intent on calling, or with their spouse, or a kid, or babysitter, aunt, uncle, grandmother--who? It was nice sometimes to talk, even briefly, with someone other than the ultimate object of your call. How else would you get to chat with a kid, to learn about what was happening in someone else's life, get different news or info? Now, we call a personal phone, know exactly to whom we'll speak, and that's that. It may be more efficient, but it feels like something's lost in that efficiency, that some sort of societal connection is lost in the name of putatively more efficient personal communication.
It will be interesting to see, if we have time enough left for much further adaptation on this planet, what effect the fractured communication and connection modes we're embarking on will have on us.
The preceding was written on Sunday, and I fully intended to polish it, finish it, publish it, maybe even ish-ish (whatever that means--I just realized there were lots of "ishes" in that lisht) it, and play all of the "connection" and "together" songs I had but, alas, as if to illustrate fragmentation and distance, it ain't gonna be. So, as of Monday: no end-of-year show, no well written, cogent, coherent blog post: just stuff. At any rate, Happy New Year to all, and may we all get what we wish for, and not necessarily what we deserve.... Hope to see you all back here next week, but the future's so hard to predict, innit?
Monday, December 30, 2013
Monday, December 23, 2013
So This Is Christmas....
Well, then, let's try this again, shan't we? Seems like only a year ago that I had this ginormous show planned; Xmas was on a Tuesday (my show day), we didn't have huge plans, I'd missed tons o' shows 'cause of work, and so I was gonna do a 4 hr. marathon. Well, life got in the way, what with illness and hospitals and all that lovely stuff, so lo, it did not come to pass.
This year, conditions and events are somewhat similar: I'm in the midst of building a house and so have missed a few shows; illness, injury and strife elbow their way into our lives; Xmas Eve, not Xmas, falls on Tuesday this year, but, hey, close enough for jazz, right? So I'm gonna condense last year's playlist into a 3 hour show, and see what happens. The fates may yet have other plans, but I'm'a act as though I can pull this one off.
There was a little piece in this Sunday's Times about how radio stations' going to an all Christmas format in the month between Thanksgiving and Christmas was, as the article put it, "rocket fuel for ratings;" stations see their listenership skyrocket when they provide a steady diet of holiday-cheerful songs. Jesus (so to speak), I'd open a vein if I had to play (or listen to) nothing but that stuff for a month. For a few hours, though, I might pull it off, although my playlist is hardly traditional or even (surprise, surprise) Christ-centered. One wrinkle I've added is to combine two or three (or four!) song titles which have, on their own, nothing to do with Christmas, into a medley that, borrowing a portion of each song's title, combines to form a traditional Christmas song title. F'rinstance, The Rolling Stones' "You Got The Silver" played back-to-back with Dylan's "Ring Them Bells" yields, in someone's twisted mind (hello!) "Silver Bells." Doc and Merle Watson's "Frosty Morn" and John Prine's "Humidity Built The Snowman" give..., well, you probly get the idea. So here's a playlist:
Christmas Must Be Tonight The Band
It's Christmas Time James Brown
Kung Fu Christmas Christopher Guest/Nat'l Lampoon
Merry Christmas,Baby Lou Rawls
Friend Of Jesus John Stewart
Bach: Cantata #22, Jesus nahm.... Yo-Yo Ma, et al
Jesus Christ Arlo Guthrie
Christmas With Jesus Josh Rouse
Jesus Was A Capricorn Darrell Scott
Jesus Was A Cross Maker Judee Sill
Jesus Just Left Chicago ZZ Top
Jesus Is Just Alright Doobies
Christmas Time (Is Here Again) Fabs
On Christmas Eve John Hartford
Christmas Time Blues John Lee Hooker
Christmas Time Is Here Bela Fleck & The Flecktones
Christmas Time Ray Charles
Christmas Ain't Christmas The O'Jays
Father Christmas The Kinks
Getting Ready For Christmas Day Paul Simon
Variations On The Kanon By Pachelbel George Winston
The Rebel Jesus Jackson Browne
Trip With Jesus The Union Underground
Christmas Card From A Hooker In Minneapolis Tom Waits
Christmas In Kyoto Michael Franks
Christmas In Prison John Prine
Christmas Morning Lyle Lovett
Christmas Morning Loudon Wainwright III
Christmas Wish NRBQ
Jesus, Etc. Wilco
Tell Me What Kind Of Man Jesus Was Big Bill Broonzy
Jesus Wrote A Blank Check Cake
C'mon Jesus Firesign Theatre
Come On Down Jesus John Kongos
River Joni Mitchell
Birthday Fabs
Silent Eyes Paul Simon
Night Bruce Springsteen
You Got The Silver Stones
Ring Them Bells Dylan
Frosty Morn Doc & Merle Watson
Humidity Built The Snowman John Prine
I'm Walkin' Rick Nelson
Winter Stones
Wonderland Michael Franks
Little Big-Time Man Dirk Hamilton
Heavy Metal Drummer Wilco
Boy Darden Smith
We The Roches
Wish You Were Here Pink Floyd
You George Harrison
Merry Go Round The Replacements
Christmas The Who
Oh, come on, give the no-singer some, to contra-indicate Jim Morrison. Anyway, I hope my too-clever-by-half-self-indulgence doesn't stop you from listening, or at least enjoying vicariously. Happy Xmas. (War Will Never Be Over).
This year, conditions and events are somewhat similar: I'm in the midst of building a house and so have missed a few shows; illness, injury and strife elbow their way into our lives; Xmas Eve, not Xmas, falls on Tuesday this year, but, hey, close enough for jazz, right? So I'm gonna condense last year's playlist into a 3 hour show, and see what happens. The fates may yet have other plans, but I'm'a act as though I can pull this one off.
There was a little piece in this Sunday's Times about how radio stations' going to an all Christmas format in the month between Thanksgiving and Christmas was, as the article put it, "rocket fuel for ratings;" stations see their listenership skyrocket when they provide a steady diet of holiday-cheerful songs. Jesus (so to speak), I'd open a vein if I had to play (or listen to) nothing but that stuff for a month. For a few hours, though, I might pull it off, although my playlist is hardly traditional or even (surprise, surprise) Christ-centered. One wrinkle I've added is to combine two or three (or four!) song titles which have, on their own, nothing to do with Christmas, into a medley that, borrowing a portion of each song's title, combines to form a traditional Christmas song title. F'rinstance, The Rolling Stones' "You Got The Silver" played back-to-back with Dylan's "Ring Them Bells" yields, in someone's twisted mind (hello!) "Silver Bells." Doc and Merle Watson's "Frosty Morn" and John Prine's "Humidity Built The Snowman" give..., well, you probly get the idea. So here's a playlist:
Christmas Must Be Tonight The Band
It's Christmas Time James Brown
Kung Fu Christmas Christopher Guest/Nat'l Lampoon
Merry Christmas,Baby Lou Rawls
Friend Of Jesus John Stewart
Bach: Cantata #22, Jesus nahm.... Yo-Yo Ma, et al
Jesus Christ Arlo Guthrie
Christmas With Jesus Josh Rouse
Jesus Was A Capricorn Darrell Scott
Jesus Was A Cross Maker Judee Sill
Jesus Just Left Chicago ZZ Top
Jesus Is Just Alright Doobies
Christmas Time (Is Here Again) Fabs
On Christmas Eve John Hartford
Christmas Time Blues John Lee Hooker
Christmas Time Is Here Bela Fleck & The Flecktones
Christmas Time Ray Charles
Christmas Ain't Christmas The O'Jays
Father Christmas The Kinks
Getting Ready For Christmas Day Paul Simon
Variations On The Kanon By Pachelbel George Winston
The Rebel Jesus Jackson Browne
Trip With Jesus The Union Underground
Christmas Card From A Hooker In Minneapolis Tom Waits
Christmas In Kyoto Michael Franks
Christmas In Prison John Prine
Christmas Morning Lyle Lovett
Christmas Morning Loudon Wainwright III
Christmas Wish NRBQ
Jesus, Etc. Wilco
Tell Me What Kind Of Man Jesus Was Big Bill Broonzy
Jesus Wrote A Blank Check Cake
C'mon Jesus Firesign Theatre
Come On Down Jesus John Kongos
River Joni Mitchell
Birthday Fabs
Silent Eyes Paul Simon
Night Bruce Springsteen
You Got The Silver Stones
Ring Them Bells Dylan
Frosty Morn Doc & Merle Watson
Humidity Built The Snowman John Prine
I'm Walkin' Rick Nelson
Winter Stones
Wonderland Michael Franks
Little Big-Time Man Dirk Hamilton
Heavy Metal Drummer Wilco
Boy Darden Smith
We The Roches
Wish You Were Here Pink Floyd
You George Harrison
Merry Go Round The Replacements
Christmas The Who
Oh, come on, give the no-singer some, to contra-indicate Jim Morrison. Anyway, I hope my too-clever-by-half-self-indulgence doesn't stop you from listening, or at least enjoying vicariously. Happy Xmas. (War Will Never Be Over).
Sunday, December 8, 2013
Tubercular Bells
Okay, so this title is obscure and convoluted even for me, and thus, I fear, needs explanation, although I know that dissecting anything kills it.
1.) 'Tis the season of bells, of various sorts: jingle, silver, sleigh, and cash register (yeah, yeah, that's a "beep" now, but you know what I mean). Even that most iconic of Christmas movies, It's A Wonderful Life, albeit in its dark middle section, has a scene wherein Nick the bartender repeatedly opens the register drawer and gleefully says "Dig me--I'm giving out wings" after Clarence has informed him that "every time a bell rings, an angel gets its wings," and of course the movie concludes with Zuzu echoing that line.
2.) The cash registers' ring has become the most holy of bells in current American Xmas (Christ is definitely gone from this view) celebrations, as we literally trample (sometimes to death) and tase our fellow "humans" in an effort to beat them to deals on merchandise we and they often don't need or want. Xmas has become a sort of secular Confession; in the Catholic orthodoxy (and I may be oversimplifying a bit), one sins and sins, then receives absolution from those sins by confessing them to a priest and doing a minor penance--a couple of "Our Father"s, a few "Hail Mary"s. In our American Xmas celebrations, people can apparently treat others--up to and including their children and other family members--like shit all year and then be cleansed by showering them with lavish gifts 1/365th of the time. And in order to be able to buy those gifts at the cheapest prices possible (we want some form of absolution, but not at full retail, for Christ's sake), we have caused stores to open on Thanksgiving day, promising fabulous savings. People camp out in front of their chosen store for days, eagerly awaiting the possibility of somehow saving money, while ignoring the holiday right in front of them, Thanksgiving. Store clerks have to work on Thanksgiving now or risk being fired, people somehow feel pressured into joining the herds, throngs, packs or risk missing out on something apparently important to someone. We have traded one holiday for another; giving thanks for what we have has been superseded by giving gifts to expiate the guilt for what we have not (done). Consumed by guilt, perhaps, we are driven to consume gilt.
3.) Wendell Berry (essayist, novelist, environmentalist, poet, former tobacco farmer from Kentucky--hey, nobody's perfect) has noted that when Tuberculosis was prevalent, into the 19th and early 20th centuries, it was often called "consumption," and known as "the wasting disease" because one of its effects was significant weight loss--sufferers wasted away. Berry made the connection between the wasting of that form of consumption, and the effects on our lives and on our very planet of our culture's ravenous and insatiable consumption and waste of goods and resources. Waste is waste. Ain't it ironic that our destructive consumption reaches its feverish apogee annually when we are ostensibly celebrating the birth of an ascetic savior whose major teachings concern caring for the poor and afflicted.
4.) In 1972, William Friedkin directed a movie called The Exorcist (full disclosure: I'm the person from my generation who has never seen the film). I trust that you all know its basic premise; if not, you can Google it. Basically, it deals with demonic possession of the body and soul of a young girl, and two priests' attempts to exorcise the Devil. The main theme song to the film was "Tubular Bells," by Mike Oldfield.
So there you have it: the bells, consumption in a couple of senses, the impression that far, far too many Americans become possessed by possessing at this time of year, and the theme music for it all.
Whew. It's enough to make your head spin.
Some songs, then:
Caravan Van Morrison
Black Friday Steely Dan
Maximum Consumption The Kinks
Shopping Trolley Beth Orton
Trick Bag (Shoppin' For My Tombstone) John Lee Hooker
Mannequin Shop Paul Westerberg
Last Of The Big Time Spenders Billy Joel
Window Shopping Sharon Jones & The Dap Kings
Time To Spend Chris Smither
Can't Buy Me Love Fabs
The Busy Girl Buys Beauty Billy Bragg
Try Some Buy Some George Harrison
Buy For Me The Rain Nitty Gritty Dirt Band
Somebody Buy Me A Drink David Johansen
Buy It In A Bottle Richard Ashcroft
I'll Buy The Replacements
You Can't Buy My Love Robert Plant
Ain't There Something Money Can't Buy? Young-Holt Unlimited
Ring Them Bells Bob Dylan
Painted Bells Boz Scaggs
Tollin' Bells Butterfield Blues Band
The Bells Laura Nyro
Bells Monty Python
Junk Paul McCartney
Singalong Junk Paul McCartney
Junk Victoria Williams
The Gift Bruce Cockburn
Gifts Bruce Cockburn
The Sweetest Gift Sade
The Gift David "Fathead" Newman
The Greatest Gift Robert Plant
Tubular Bells Mike Oldfield
See you Tuesday, noon till two, wool.fm, "tollin' like the tongue of doom."
1.) 'Tis the season of bells, of various sorts: jingle, silver, sleigh, and cash register (yeah, yeah, that's a "beep" now, but you know what I mean). Even that most iconic of Christmas movies, It's A Wonderful Life, albeit in its dark middle section, has a scene wherein Nick the bartender repeatedly opens the register drawer and gleefully says "Dig me--I'm giving out wings" after Clarence has informed him that "every time a bell rings, an angel gets its wings," and of course the movie concludes with Zuzu echoing that line.
2.) The cash registers' ring has become the most holy of bells in current American Xmas (Christ is definitely gone from this view) celebrations, as we literally trample (sometimes to death) and tase our fellow "humans" in an effort to beat them to deals on merchandise we and they often don't need or want. Xmas has become a sort of secular Confession; in the Catholic orthodoxy (and I may be oversimplifying a bit), one sins and sins, then receives absolution from those sins by confessing them to a priest and doing a minor penance--a couple of "Our Father"s, a few "Hail Mary"s. In our American Xmas celebrations, people can apparently treat others--up to and including their children and other family members--like shit all year and then be cleansed by showering them with lavish gifts 1/365th of the time. And in order to be able to buy those gifts at the cheapest prices possible (we want some form of absolution, but not at full retail, for Christ's sake), we have caused stores to open on Thanksgiving day, promising fabulous savings. People camp out in front of their chosen store for days, eagerly awaiting the possibility of somehow saving money, while ignoring the holiday right in front of them, Thanksgiving. Store clerks have to work on Thanksgiving now or risk being fired, people somehow feel pressured into joining the herds, throngs, packs or risk missing out on something apparently important to someone. We have traded one holiday for another; giving thanks for what we have has been superseded by giving gifts to expiate the guilt for what we have not (done). Consumed by guilt, perhaps, we are driven to consume gilt.
3.) Wendell Berry (essayist, novelist, environmentalist, poet, former tobacco farmer from Kentucky--hey, nobody's perfect) has noted that when Tuberculosis was prevalent, into the 19th and early 20th centuries, it was often called "consumption," and known as "the wasting disease" because one of its effects was significant weight loss--sufferers wasted away. Berry made the connection between the wasting of that form of consumption, and the effects on our lives and on our very planet of our culture's ravenous and insatiable consumption and waste of goods and resources. Waste is waste. Ain't it ironic that our destructive consumption reaches its feverish apogee annually when we are ostensibly celebrating the birth of an ascetic savior whose major teachings concern caring for the poor and afflicted.
4.) In 1972, William Friedkin directed a movie called The Exorcist (full disclosure: I'm the person from my generation who has never seen the film). I trust that you all know its basic premise; if not, you can Google it. Basically, it deals with demonic possession of the body and soul of a young girl, and two priests' attempts to exorcise the Devil. The main theme song to the film was "Tubular Bells," by Mike Oldfield.
So there you have it: the bells, consumption in a couple of senses, the impression that far, far too many Americans become possessed by possessing at this time of year, and the theme music for it all.
Whew. It's enough to make your head spin.
Some songs, then:
Caravan Van Morrison
Black Friday Steely Dan
Maximum Consumption The Kinks
Shopping Trolley Beth Orton
Trick Bag (Shoppin' For My Tombstone) John Lee Hooker
Mannequin Shop Paul Westerberg
Last Of The Big Time Spenders Billy Joel
Window Shopping Sharon Jones & The Dap Kings
Time To Spend Chris Smither
Can't Buy Me Love Fabs
The Busy Girl Buys Beauty Billy Bragg
Try Some Buy Some George Harrison
Buy For Me The Rain Nitty Gritty Dirt Band
Somebody Buy Me A Drink David Johansen
Buy It In A Bottle Richard Ashcroft
I'll Buy The Replacements
You Can't Buy My Love Robert Plant
Ain't There Something Money Can't Buy? Young-Holt Unlimited
Ring Them Bells Bob Dylan
Painted Bells Boz Scaggs
Tollin' Bells Butterfield Blues Band
The Bells Laura Nyro
Bells Monty Python
Junk Paul McCartney
Singalong Junk Paul McCartney
Junk Victoria Williams
The Gift Bruce Cockburn
Gifts Bruce Cockburn
The Sweetest Gift Sade
The Gift David "Fathead" Newman
The Greatest Gift Robert Plant
Tubular Bells Mike Oldfield
See you Tuesday, noon till two, wool.fm, "tollin' like the tongue of doom."
Monday, December 2, 2013
"...Writers Wrote Books, Thinkers Thought About It..."
What is a life well-lived? What that we do is of value, and to whom, and for how long, and why? I raised those sorts of questions last week in thinking about my friend Tom who died recently. MA, PhD, immersed in music, literature, art, drama, traveler of the world: Tom lived a full and filled life, emptied by dementia long before actual death. We all know on some level--however much we'll actually let the fact sink in--that we're gonna die, and that it's pretty unlikely that we'll carry memories of our lives, learning and experiences with us, any more than we'll bring cash or, if you're Egyptian royalty, cats.
Why then do so many of us take in as much as we can, immerse ourselves in the Arts or travel or mindless consumption (see next week's post for more on that, I think)? Is it denial of death? Is it a way to leave something of ourselves behind, some lasting monument that says "I was here once, goddammit! Attention must be paid!"? Denial of death becomes assertion of existence; I don't think that the two are necessarily the same.
Much to my family's chagrin, I am not a traveler, at least in outward realms. I don't have a bucket list, a need to walk on the moors or loll about in Tuscany, or see Disneyland. And yet books and music and art and even this stupid blog are of immense importance to me, as a way to experience the lives and thoughts and emotions of other humans, to connect, to draw from and perhaps even add to the enormous trove of the talents and thoughts humans have created and left behind. But again, why? If I am extremely fortunate I will have all of that within me, accessible, until I shuffle off. But of course that's already not true and, given family history, a lifetime of actively ingesting corrosive substances and now being passively exposed to an incredibly vast array of body- and soul-destroying chemicals, it's increasingly likely that my mind and memory will journey to the elsewhere before my body does.
In her first book, Elemental, Alice B. Fogel wrote a poem based on a writing exercise I used to use in my classes which took the familiar phrase "objects in mirror are closer than they appear" and used it as the title and jumping-off point of an essay we'd all write. I think some cool stuff came out of that, because it sort of forces one to be reflective, to think metaphorically, and to make connections that might not naturally occur to an 18 year old--or most 50 year olds, for that matter. Here are a few lines from that poem, "Objects In Mirror Are Closer Than They Appear:"
Meanwhile, we paint our self-
portraits on everything
imaginable, then hold
them up like mirrors.
Our mercurial brushes
grow longer, our skills
more acute. Dust clouds
the vision, tinder
to the eye. So we burn
trees to save the forests, burn
air to fly afar. We do, we say.
We can....
Or as Kurt Vonnegut put it in Cat's Cradle,
We do, doodely do, doodely do, doodely do,
What we must, muddily must, muddily must, muddily must;
Muddily do, Muddily do, Muddily do, Muddily do,
Until we bust, bodily bust, bodily bust, bodily bust.
And maybe it's as simple as that: we do things because we can, often don't consider whether we should, and the devil take the hindmost. What an interesting group of organisms.
Here're some songs for this week's show, then, on Tuesday from noon til two on wool.fm:
Age of Reason Wake Ooloo
There's A Reason A. A. Bondy
There Is A Reason Alison Krauss & Union Station
Finally Found A Reason Art Garfunkel
Ain't No Reason Brett Dennen
Reason To Believe Bruce Springsteen
Reasons Earth Wind & Fire
Reasons To Be Cheerful, Part 3 Ian Dury & The Blockheads
All The Right Reasons The Jayhawks
Reasons For Waiting Jethro Tull
Two Good Reasons John Gorka
Reasons To Rise John Stewart
Reason To Cry Lucinda Williams
No Reason Nick Lowe
Reason To Believe Rickie Lee Jones
Reason To Believe Rod Stewart
Any Reason Tanita Tikaram
The Reason Thunderclap Newman
Give Me One Reason Tracy Chapman
There Must Be A Reason War
Turning Point David Lindley
The Point Of It Yo La Tengo
Do You Realize? Flaming Lips
Let The Slave Van Morrison
Spark In The Dark (On The Moody Existentialist) Alpha Band
Take It Where You Find It Van Morrison
That last, whence comes the title of this post, has become my favorite Van song and mantra. Hope you'll listen and like.
Why then do so many of us take in as much as we can, immerse ourselves in the Arts or travel or mindless consumption (see next week's post for more on that, I think)? Is it denial of death? Is it a way to leave something of ourselves behind, some lasting monument that says "I was here once, goddammit! Attention must be paid!"? Denial of death becomes assertion of existence; I don't think that the two are necessarily the same.
Much to my family's chagrin, I am not a traveler, at least in outward realms. I don't have a bucket list, a need to walk on the moors or loll about in Tuscany, or see Disneyland. And yet books and music and art and even this stupid blog are of immense importance to me, as a way to experience the lives and thoughts and emotions of other humans, to connect, to draw from and perhaps even add to the enormous trove of the talents and thoughts humans have created and left behind. But again, why? If I am extremely fortunate I will have all of that within me, accessible, until I shuffle off. But of course that's already not true and, given family history, a lifetime of actively ingesting corrosive substances and now being passively exposed to an incredibly vast array of body- and soul-destroying chemicals, it's increasingly likely that my mind and memory will journey to the elsewhere before my body does.
In her first book, Elemental, Alice B. Fogel wrote a poem based on a writing exercise I used to use in my classes which took the familiar phrase "objects in mirror are closer than they appear" and used it as the title and jumping-off point of an essay we'd all write. I think some cool stuff came out of that, because it sort of forces one to be reflective, to think metaphorically, and to make connections that might not naturally occur to an 18 year old--or most 50 year olds, for that matter. Here are a few lines from that poem, "Objects In Mirror Are Closer Than They Appear:"
Meanwhile, we paint our self-
portraits on everything
imaginable, then hold
them up like mirrors.
Our mercurial brushes
grow longer, our skills
more acute. Dust clouds
the vision, tinder
to the eye. So we burn
trees to save the forests, burn
air to fly afar. We do, we say.
We can....
Or as Kurt Vonnegut put it in Cat's Cradle,
We do, doodely do, doodely do, doodely do,
What we must, muddily must, muddily must, muddily must;
Muddily do, Muddily do, Muddily do, Muddily do,
Until we bust, bodily bust, bodily bust, bodily bust.
And maybe it's as simple as that: we do things because we can, often don't consider whether we should, and the devil take the hindmost. What an interesting group of organisms.
Here're some songs for this week's show, then, on Tuesday from noon til two on wool.fm:
Age of Reason Wake Ooloo
There's A Reason A. A. Bondy
There Is A Reason Alison Krauss & Union Station
Finally Found A Reason Art Garfunkel
Ain't No Reason Brett Dennen
Reason To Believe Bruce Springsteen
Reasons Earth Wind & Fire
Reasons To Be Cheerful, Part 3 Ian Dury & The Blockheads
All The Right Reasons The Jayhawks
Reasons For Waiting Jethro Tull
Two Good Reasons John Gorka
Reasons To Rise John Stewart
Reason To Cry Lucinda Williams
No Reason Nick Lowe
Reason To Believe Rickie Lee Jones
Reason To Believe Rod Stewart
Any Reason Tanita Tikaram
The Reason Thunderclap Newman
Give Me One Reason Tracy Chapman
There Must Be A Reason War
Turning Point David Lindley
The Point Of It Yo La Tengo
Do You Realize? Flaming Lips
Let The Slave Van Morrison
Spark In The Dark (On The Moody Existentialist) Alpha Band
Take It Where You Find It Van Morrison
That last, whence comes the title of this post, has become my favorite Van song and mantra. Hope you'll listen and like.
Sunday, November 24, 2013
Thanks: For The Giving, For The Taking, For It All
My friend Tom Smith died last Thursday. I think I might have mentioned him in an older post; he was my advisor at The University of Hartford, and we formed a friendship that lasted until dementia robbed him of his life, long before his body actually gave in. The last time I saw him I was really moved to think of what a life is, what of what we do is of value and of how, as Annie Dillard so memorably put it in her essay "Living Like Weasels," "death (is) where you're going, no matter how you live...."
Tom was maybe the most passionate and enthusiastic man I've known: in front of a class, even just in conversation, when he was driving a point home he'd sometimes do it leaning forward, through clenched teeth, as if he needed to try to find some way to hold in check all that he was feeling, all that he believed about what he was talking about, as though otherwise the torrent of emotion that underlay it, if loosed, might physically harm the listener. And it might've, for all I know.
A Medieval and Renaissance scholar, Tom loved the great Norse Sagas, and Beowulf--all the blood and guts and man being pushed to the edge of human capability. He loved Andrew Marvell, Don DeLillo, and The Rolling Stones. And every May 1, he would read to his classes James Dickey's amazing, 11 page essentially prose-poem called "May Day Sermon To The Women Of Gilmer County, Georgia, By A Woman Preacher Leaving The Baptist Church," an apocalyptic vision of sex and incest and beasts and Bibles and chains and whips and assorted cruelties and indignities routinely inflicted upon women and, not least, a ghostly flying one-eyed motorcyclist savior; Tom would finish reading this stunning, terrifying skein of word and image tumbling over, around and through itself, look up, and dismiss the class with a cheery "go out and enjoy this lovely spring day." Any of you with a poetic bent who choose to find this piece and read it all the way through need just try to imagine a sunny room filled with rosy-cheeked innocents sitting and listening to this. It was wild. Rest well, my friend, and good luck to a universe that has to keep that soul contained.
And I know, last week I said that this week would bring Arlo and "home" stuff; but life can change things. Arlo's still here, but rather than home I went with "hunger," just to remind the great majority of us of all that we have to be thankful for, and that there are many who can't share our joy without some help. And not just on one or two days, but every day.
So, the songs, with lots of Stones stuff in the mix:
Caravan Van Morrison
Alice's Restaurant Massacree Arlo Guthrie
Stuck Inside Of Mobile With The Memphis Blues Again Dylan
Beast Of Burden S
Dead Flowers T
Gimme Shelter O
Imagination N
Jumpin' Jack Flash E
Let It Bleed S
Paint It Black .
Hunger Darden Smith
Hunger And Thirst The River Singers
Awful Hungry Hash House Loudon Wainwright III
The City Is Hungry Bruce Cockburn
Every Hungry Woman Allman Bros.
Gettin' Hungry Beach Boys
Hungry Clapton
Hungry Country Girl James Cotton
Hungry Flower Los Picadors
Hungry For Your Love Van
Hungry Man Steve Winwood
Hungry Planet The Byrds
Mama's Hungry Eyes Emmylou Harris
Dem Belly Full (But We Hungry) Bob Marley & The Wailers
'Case you're wondering: "Caravan" because every once in a while I like to play the whole song, not just 30 seconds, and this version is from The Last Waltz, The Band's farewell concert on Thanksgiving night, 1976; and "Stuck Inside Of Mobile..." because in the first class I took with Tom Smith he quoted a line from that song just as a throwaway part of something he was saying, which let me know he was someone to be reckoned with.
Love Everyone. And oh, yeah--Happy Hanukkah (it's so early this year!)
Tom was maybe the most passionate and enthusiastic man I've known: in front of a class, even just in conversation, when he was driving a point home he'd sometimes do it leaning forward, through clenched teeth, as if he needed to try to find some way to hold in check all that he was feeling, all that he believed about what he was talking about, as though otherwise the torrent of emotion that underlay it, if loosed, might physically harm the listener. And it might've, for all I know.
A Medieval and Renaissance scholar, Tom loved the great Norse Sagas, and Beowulf--all the blood and guts and man being pushed to the edge of human capability. He loved Andrew Marvell, Don DeLillo, and The Rolling Stones. And every May 1, he would read to his classes James Dickey's amazing, 11 page essentially prose-poem called "May Day Sermon To The Women Of Gilmer County, Georgia, By A Woman Preacher Leaving The Baptist Church," an apocalyptic vision of sex and incest and beasts and Bibles and chains and whips and assorted cruelties and indignities routinely inflicted upon women and, not least, a ghostly flying one-eyed motorcyclist savior; Tom would finish reading this stunning, terrifying skein of word and image tumbling over, around and through itself, look up, and dismiss the class with a cheery "go out and enjoy this lovely spring day." Any of you with a poetic bent who choose to find this piece and read it all the way through need just try to imagine a sunny room filled with rosy-cheeked innocents sitting and listening to this. It was wild. Rest well, my friend, and good luck to a universe that has to keep that soul contained.
And I know, last week I said that this week would bring Arlo and "home" stuff; but life can change things. Arlo's still here, but rather than home I went with "hunger," just to remind the great majority of us of all that we have to be thankful for, and that there are many who can't share our joy without some help. And not just on one or two days, but every day.
So, the songs, with lots of Stones stuff in the mix:
Caravan Van Morrison
Alice's Restaurant Massacree Arlo Guthrie
Stuck Inside Of Mobile With The Memphis Blues Again Dylan
Beast Of Burden S
Dead Flowers T
Gimme Shelter O
Imagination N
Jumpin' Jack Flash E
Let It Bleed S
Paint It Black .
Hunger Darden Smith
Hunger And Thirst The River Singers
Awful Hungry Hash House Loudon Wainwright III
The City Is Hungry Bruce Cockburn
Every Hungry Woman Allman Bros.
Gettin' Hungry Beach Boys
Hungry Clapton
Hungry Country Girl James Cotton
Hungry Flower Los Picadors
Hungry For Your Love Van
Hungry Man Steve Winwood
Hungry Planet The Byrds
Mama's Hungry Eyes Emmylou Harris
Dem Belly Full (But We Hungry) Bob Marley & The Wailers
'Case you're wondering: "Caravan" because every once in a while I like to play the whole song, not just 30 seconds, and this version is from The Last Waltz, The Band's farewell concert on Thanksgiving night, 1976; and "Stuck Inside Of Mobile..." because in the first class I took with Tom Smith he quoted a line from that song just as a throwaway part of something he was saying, which let me know he was someone to be reckoned with.
Love Everyone. And oh, yeah--Happy Hanukkah (it's so early this year!)
Sunday, November 17, 2013
Tragedy Is When It Directly Affects ME...
In the misfortunes of our best friends we find something not altogether displeasing to us.
Pretty cynical view, huh? Surely casts human nature in a fairly damning light, and has since Francois de La Rochefoucauld put the thought to paper in the mid 1600s. The Germans have a term for it: Schadenfreude, which literally translates in English to "Harm-Joy." And I'm gonna guess that most of us, if we really looked deeply and honestly inside ourselves, would have to acknowledge the existence of such feelings lurking there.
I wonder, though, if there's a term for the opposite; when witnessing or hearing about the misfortunes of others, isn't it also pretty much human nature to say, or at least to think, "That's nothin'. You think you've got it bad? Lissen to this...." Seems like we tend to play up our own misfortunes while pooh-poohing others' troubles as though our travails were a badge of honor, theirs a mere inconvenience: my hangnail's way worse than your broken arm.
I started thinking about this last week when we hit a little glitch in the project I'm working on. The house we're building was sited according to information provided by the seller, and it turned out that, rather than meeting all setbacks and being safely nestled on the lot, the house was actually half on the new owners' property, half off: exactly, neatly, diagonally bisected. It surely caused some consternation and a flurry of communication between lawyers, but in the end was resolved in one day. After the initial "holy shit"s and hand wringing, it was no biggie, really. Makes for a good story, though. While it was happening, though, it was a flat-out crisis.
Bill Maher, host of HBO's Real Time With..., got himself into quite a lot of controversy this week by downplaying the Boston Marathon bombings and the whole "Boston Strong" movement, as regards the Red Sox victory parade: "It was a bad day; 3 people were killed, many were maimed, and that's horrible, but your city didn't get leveled by Godzilla." On the face of it, that's very cold, callous, even cruel; on the other hand, all one need do is listen to any newscast or read any newspaper on any day and discover far worse tragedies happening somewhere on the globe, generally in the Middle East. People are killed by the dozens every day by suicide- or car-bombers, in pitched battles, in drone strikes (oops), and we pay virtually no heed. Shocking as Maher's statement is, it should at the very least provoke some thought, if not discussion, some reflection and perspective, rather than simply reflexive outrage. To the poor sod the tree falls on, it's tragic; for the rest of us, maybe not so much. Perhaps that's how it has to be, and maybe we are all islands.
This week, songs of crisis, tragedy, catastrophe, trouble and fortune, to wit:
Crisis Bob Marley & The Wailers
Crisis Poncho Sanchez
The Pointless, Yet Poignant, Crisis Of A Co-Ed Dar Williams
Tragic Magic NRBQ
Tragic Magic Traffic
Tragedy Emmylou Harris
Tragedy In Waiting OAR
Perspective Changes Tommy Flanagan
I Me Mine Fabs
Catastrophe Rag Rory Block
Fortunate Fool Jack Johnson
Fortunate Son Bruce Hornsby
Fortunate Son Creedence
How Fortunate The Man With None John Martyn
There But For Fortune Phil Ochs
Fortune Carla Olsen and Mick Taylor
No More Trouble Bob Marley
Nobody Knows The Trouble I've Seen Grant Green
So Much Trouble In The World Bob Marley & The Wailers
Trouble Bob Dylan
Trouble The Jayhawks
Trouble Robert Palmer
Trouble And Strife Bela Fleck & The Flecktones
Trouble, You Can't Fool Me Ry Cooder
The Trouble With Normal Bruce Cockburn
Trouble No More Allman Bros.
Trouble Blues Sam Cooke
Trouble In Mind Mose Allison
Trouble Soon Be Over Geoff Muldaur
Next Week: Home for the holidays--and Arlo, of course.
See you on the radio, Tuesdays from noon til two on wool.fm.
Pretty cynical view, huh? Surely casts human nature in a fairly damning light, and has since Francois de La Rochefoucauld put the thought to paper in the mid 1600s. The Germans have a term for it: Schadenfreude, which literally translates in English to "Harm-Joy." And I'm gonna guess that most of us, if we really looked deeply and honestly inside ourselves, would have to acknowledge the existence of such feelings lurking there.
I wonder, though, if there's a term for the opposite; when witnessing or hearing about the misfortunes of others, isn't it also pretty much human nature to say, or at least to think, "That's nothin'. You think you've got it bad? Lissen to this...." Seems like we tend to play up our own misfortunes while pooh-poohing others' troubles as though our travails were a badge of honor, theirs a mere inconvenience: my hangnail's way worse than your broken arm.
I started thinking about this last week when we hit a little glitch in the project I'm working on. The house we're building was sited according to information provided by the seller, and it turned out that, rather than meeting all setbacks and being safely nestled on the lot, the house was actually half on the new owners' property, half off: exactly, neatly, diagonally bisected. It surely caused some consternation and a flurry of communication between lawyers, but in the end was resolved in one day. After the initial "holy shit"s and hand wringing, it was no biggie, really. Makes for a good story, though. While it was happening, though, it was a flat-out crisis.
Bill Maher, host of HBO's Real Time With..., got himself into quite a lot of controversy this week by downplaying the Boston Marathon bombings and the whole "Boston Strong" movement, as regards the Red Sox victory parade: "It was a bad day; 3 people were killed, many were maimed, and that's horrible, but your city didn't get leveled by Godzilla." On the face of it, that's very cold, callous, even cruel; on the other hand, all one need do is listen to any newscast or read any newspaper on any day and discover far worse tragedies happening somewhere on the globe, generally in the Middle East. People are killed by the dozens every day by suicide- or car-bombers, in pitched battles, in drone strikes (oops), and we pay virtually no heed. Shocking as Maher's statement is, it should at the very least provoke some thought, if not discussion, some reflection and perspective, rather than simply reflexive outrage. To the poor sod the tree falls on, it's tragic; for the rest of us, maybe not so much. Perhaps that's how it has to be, and maybe we are all islands.
This week, songs of crisis, tragedy, catastrophe, trouble and fortune, to wit:
Crisis Bob Marley & The Wailers
Crisis Poncho Sanchez
The Pointless, Yet Poignant, Crisis Of A Co-Ed Dar Williams
Tragic Magic NRBQ
Tragic Magic Traffic
Tragedy Emmylou Harris
Tragedy In Waiting OAR
Perspective Changes Tommy Flanagan
I Me Mine Fabs
Catastrophe Rag Rory Block
Fortunate Fool Jack Johnson
Fortunate Son Bruce Hornsby
Fortunate Son Creedence
How Fortunate The Man With None John Martyn
There But For Fortune Phil Ochs
Fortune Carla Olsen and Mick Taylor
No More Trouble Bob Marley
Nobody Knows The Trouble I've Seen Grant Green
So Much Trouble In The World Bob Marley & The Wailers
Trouble Bob Dylan
Trouble The Jayhawks
Trouble Robert Palmer
Trouble And Strife Bela Fleck & The Flecktones
Trouble, You Can't Fool Me Ry Cooder
The Trouble With Normal Bruce Cockburn
Trouble No More Allman Bros.
Trouble Blues Sam Cooke
Trouble In Mind Mose Allison
Trouble Soon Be Over Geoff Muldaur
Next Week: Home for the holidays--and Arlo, of course.
See you on the radio, Tuesdays from noon til two on wool.fm.
Sunday, November 10, 2013
With This Laurel, And Hearty Handshake...
That is, of course, a line from one of the five funniest movies ever made, Mel Brooks's Blazing Saddles. It's from the scene where the townspeople are preparing for the arrival of the new sheriff (unaware that he's a "Ni"), and the unctuous and officious mayor is rehearsing his welcoming speech, which contains that line.
Well, there's a new sheriff in New Hampshire poetry circles, too, who received a figurative laurel (in ancient Greece, the laurel was sacred to Apollo, god of, among other things, music and poetry; thus, the recipient of the crown became known as a laureate) and probably a hearty handshake, too, from Governor Maggie Hassan last week. Alice B. Fogel was named Poet Laureate of the State of New Hampshire on Wednesday, in recognition of her body of written work as well as her efforts to promote poetry statewide for almost 30 years.
Poetry has become the redheaded stepchild (ironically, there is a magazine called Redheaded Stepchild, which publishes poems which have been rejected in other places) of the literary world, it seems to me. There is actually a bi-monthly publication, a bible of sorts for all sorts of scribblers, called Poets & Writers. I've always found that name amusing, slightly baffling, and, on behalf of poets (though none has asked me to weigh in on it), insulting in its implication, to me at least, that poets somehow aren't writers.
Mention poetry to 'most anyone and watch them subtly take a step back, shift their gaze, check their watch--unless the poem in question comes from the--as Gary Smith put it so amusingly-- "Nantucket Series," if you catch my meaning, if you get my drift. 'Cause we've all learned from bad and/or ignorant English teachers to fear the stuff. It looks different from real writing, of course, and it's chock full of symbolism and references to Christ and who knows what-all else, and it never says what it really means. What's it hiding, anyway?
Worlds of emotion, wonder and insight into the human condition, to name a few. If you're among the poetry-phobic, help is available in the form of Strange Terrain, Alice's last book, which is basically a twelve-step program for those who might like to feel more comfortable with poems; it'll help you find your own way in to poems--and who knows, there might be some stuff of value in there.
I just referred to Strange Terrain as Alice's last book, but I guess that "most recently published book" would be more accurate. It's been a pretty good couple of weeks for her, at least professionally, because she also found out that Interval:Poems Based On Bach's Goldberg Variations, a book she has been sending out for 11 years (!), was accepted for publication by Schaffner Press in Tucson, Arizona which has never published a book of poems before, but whose publisher dug what she was doing with language as a way to mirror what Bach had done musically in the Variations. It probably doesn't need any more explanation than that, but I couldn't give it even if it did, as I know pretty much nothing about the Bach, and thus don't quite get Alice's poems in relation to it, much as I like the poems.
It may seem reflectively-aggrandizing to have written about this, although if ya can't be proud of a loved one's accomplishments on yer own blog, then what the hell? These are fairly big things, though, and deserve to be celebrated. It's also a chance to say a little something about poetry (you could also visit Alice's website, alicebfogel.com), of which noted New Jersey physician and poet William Carlos Williams once said, in "Asphodel, That Greeny Flower,"
It is difficult
to get the news from poems
yet men die miserably every day
for lack
of what is found there.
A celebration of Alice and poetry this week, then, on Tuesday from noon till two on wool.fm, with these songs and poems:
Poet Cassandra Wilson
Poet Sly & The Family Stone
Don't Pick A Fight With A Poet Madeleine Peyroux
Death Of An Unpopular Poet Jimmy Buffett
Maybe The Poet Bruce Cockburn
The Poet Game Greg Brown
Poetry Victoria Williams
Poetry Man Phoebe Snow
Queen Of The Slipstream Van Morrison
Eight Line Poem David Bowie
Poem 58 Chicago Transit Authority
Poem For The People Chicago
A Poem On The Underground Wall Simon & Garfunkel
Poems, Prayers & Promises John Denver
Symphonic Poem Danse Macabre Roland Hardtner
Country Poem Pat Metheny
Tone Poem For My Father Mark Egan
Love And Some Verses Iron & Wine
Boxy Variations Uri Caine Ensemble
Disturbance Alice B. Fogel
The Necessity Alice B. Fogel
Something Left Out In The Rain Alice B. Fogel
Starting Small Alice B. Fogel
Elemental Alice B. Fogel
Aria Joseph Payne
Variatio I A 1 Clavier Joseph Payne
Variatio XIII A 2 Clavier Joseph Payne
Variatio XXIX A Ovvero 2 Clavier Joseph Payne
Variatio XXX Quodlibet A 1 Clavier Joseph Payne
Rhymes Donald Fagen
Variation 29 Dmitry Sitkovetsky
Variation 30 Dmitry Sitcovetsky
I don't mean anything by this, but I do want to point out that before she met me, Alice had published no books, won no NEA grants, never been a Poet Laureate--none of it. I'm just sayin....
Well, there's a new sheriff in New Hampshire poetry circles, too, who received a figurative laurel (in ancient Greece, the laurel was sacred to Apollo, god of, among other things, music and poetry; thus, the recipient of the crown became known as a laureate) and probably a hearty handshake, too, from Governor Maggie Hassan last week. Alice B. Fogel was named Poet Laureate of the State of New Hampshire on Wednesday, in recognition of her body of written work as well as her efforts to promote poetry statewide for almost 30 years.
Poetry has become the redheaded stepchild (ironically, there is a magazine called Redheaded Stepchild, which publishes poems which have been rejected in other places) of the literary world, it seems to me. There is actually a bi-monthly publication, a bible of sorts for all sorts of scribblers, called Poets & Writers. I've always found that name amusing, slightly baffling, and, on behalf of poets (though none has asked me to weigh in on it), insulting in its implication, to me at least, that poets somehow aren't writers.
Mention poetry to 'most anyone and watch them subtly take a step back, shift their gaze, check their watch--unless the poem in question comes from the--as Gary Smith put it so amusingly-- "Nantucket Series," if you catch my meaning, if you get my drift. 'Cause we've all learned from bad and/or ignorant English teachers to fear the stuff. It looks different from real writing, of course, and it's chock full of symbolism and references to Christ and who knows what-all else, and it never says what it really means. What's it hiding, anyway?
Worlds of emotion, wonder and insight into the human condition, to name a few. If you're among the poetry-phobic, help is available in the form of Strange Terrain, Alice's last book, which is basically a twelve-step program for those who might like to feel more comfortable with poems; it'll help you find your own way in to poems--and who knows, there might be some stuff of value in there.
I just referred to Strange Terrain as Alice's last book, but I guess that "most recently published book" would be more accurate. It's been a pretty good couple of weeks for her, at least professionally, because she also found out that Interval:Poems Based On Bach's Goldberg Variations, a book she has been sending out for 11 years (!), was accepted for publication by Schaffner Press in Tucson, Arizona which has never published a book of poems before, but whose publisher dug what she was doing with language as a way to mirror what Bach had done musically in the Variations. It probably doesn't need any more explanation than that, but I couldn't give it even if it did, as I know pretty much nothing about the Bach, and thus don't quite get Alice's poems in relation to it, much as I like the poems.
It may seem reflectively-aggrandizing to have written about this, although if ya can't be proud of a loved one's accomplishments on yer own blog, then what the hell? These are fairly big things, though, and deserve to be celebrated. It's also a chance to say a little something about poetry (you could also visit Alice's website, alicebfogel.com), of which noted New Jersey physician and poet William Carlos Williams once said, in "Asphodel, That Greeny Flower,"
It is difficult
to get the news from poems
yet men die miserably every day
for lack
of what is found there.
A celebration of Alice and poetry this week, then, on Tuesday from noon till two on wool.fm, with these songs and poems:
Poet Cassandra Wilson
Poet Sly & The Family Stone
Don't Pick A Fight With A Poet Madeleine Peyroux
Death Of An Unpopular Poet Jimmy Buffett
Maybe The Poet Bruce Cockburn
The Poet Game Greg Brown
Poetry Victoria Williams
Poetry Man Phoebe Snow
Queen Of The Slipstream Van Morrison
Eight Line Poem David Bowie
Poem 58 Chicago Transit Authority
Poem For The People Chicago
A Poem On The Underground Wall Simon & Garfunkel
Poems, Prayers & Promises John Denver
Symphonic Poem Danse Macabre Roland Hardtner
Country Poem Pat Metheny
Tone Poem For My Father Mark Egan
Love And Some Verses Iron & Wine
Boxy Variations Uri Caine Ensemble
Disturbance Alice B. Fogel
The Necessity Alice B. Fogel
Something Left Out In The Rain Alice B. Fogel
Starting Small Alice B. Fogel
Elemental Alice B. Fogel
Aria Joseph Payne
Variatio I A 1 Clavier Joseph Payne
Variatio XIII A 2 Clavier Joseph Payne
Variatio XXIX A Ovvero 2 Clavier Joseph Payne
Variatio XXX Quodlibet A 1 Clavier Joseph Payne
Rhymes Donald Fagen
Variation 29 Dmitry Sitkovetsky
Variation 30 Dmitry Sitcovetsky
I don't mean anything by this, but I do want to point out that before she met me, Alice had published no books, won no NEA grants, never been a Poet Laureate--none of it. I'm just sayin....
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