In Classical Greek comedy, particularly in the plays of Aristophanes, there was a stock character called the eiron. He was a dissembler, often outwitting his foes by appearing to be less able or less smart than he actually was, and that they fancied themselves to be, thus lulling them into a false sense of security or superiority until it was revealed that they'd been toyed with and were themselves the fools. Yeah, okay, so I took Leo Rockas's "Satire" class at UHa in 1980, and some things stuck.
From "eiron" we get "irony," a term, a style, a genre, a pose which has perhaps become the predominant manner of expression in modern cultural discourse-- in novels, music, poetry, movies, TV, even "journalism," and especially in interpersonal relationships, to the dismay of many. Irony has become nearly synonymous with "sarcasm" in our daily speech and affect. Greg Brown calls it "One cool remove away." It allows the speaker/writer/performer to distance herself (a gender-neutral pronoun would be helpful there) from his (see what I mean?) words, thoughts, emotions. It can be infuriating or at least disheartening to the listener/recipient. It's hard to have a serious interaction when at least one of the principals can claim ironic distance. Or so I've been told frequently; I am an inveterate and habitual practitioner.
That's irony in discourse. There's also, of course, situational irony, when concurrent or at least linked events are at odds with each other: the young husband sells his watch to buy combs for his wife's gorgeous hair, which, it turns out, she has shorn in order to buy him a chain for the pocketwatch he no longer owns. I just made that scenario up, but someone should write a story based around that premise. What?
Due to circumstances at my real work, as most of you know, I haven't been able to do my radio show for three weeks. This week, though, there seems to be an opportunity for me to change that. Hurricane Sandy is gonna keep us from working until at least Wednesday, it seems, due to rain and very high winds, not particularly good conditions for framing and sheathing a roof system. So Tuesday noon-till-two seems available. In very windy conditions there is an enormously high likelihood that WOOL's antenna, perched shakily atop Fall Mountain, will be knocked out of commission, eliminating our already-limited capacity for over-the-airwaves reception. It's also quite likely that there will be power outages, perhaps extended ones; that will wipe out our internet connection and eliminate the possibility of anyone listening to the show on their computer.
Any chance I can fob some combs off on any of you?
Sunday, October 28, 2012
Monday, October 22, 2012
Beingness and Nothing
On Saturday past, a lovely autumn day, the sort of day that had to have prompted more than one person to inanely utter to some innocent bystander "this is why we live here," I spent the afternoon and evening with two longstanding (to say "old" seems to connote wrongly) and very dear friends. We talked about some old times and we drank ourselves some, er, wine, gin, and vodka, variously--whatever Simon Says, there were no beers this time. And then I had an hour-and-a-half-drive home, contemplating, following a gorgeous half moon hanging low in the sky, the ipod set to Van Morrison; I barely scratched the surface of the 735 songs by him on that machine. With all of that, the glow of close connection to people important in my life for decades, the beauty of the cosmos, my favorite singer pouring out his--and touching my--soul, what I was struck by was the void at the center of it all for me.
I have been a most fortunate man. My life has been, and continues to be, blessed by more love, kindness and support than any 5 people have a right to expect. I have been exposed to and immersed myself in music and literature of unsurpassed beauty and depth, the blood, sweat, toil and inspiration of some amazing minds. I have been given a wonderful family, both of origin and that which I had some small part in creating. I look out any window in my home and see nothing but the beauty of the natural world, colors, shapes, movement and flow of trees, flowers, leaves, mountains and sky, flora and fauna of great variety and breathtaking inspiration. At night, as when I arrived home and stepped out of the truck Saturday night, there's the immensity and wonder of the firmament hanging above me, a beauty and clarity that, alas, fewer and fewer people get to experience due to light pollution, maybe pollution in general, maybe general inability to see and wonder at. Stars uncountable, depths unseeable, size unimaginable, and all of it right...There. And yet it's not enough, it's never enough.
I think now, in ways I never realized before, that that night's moon is the perfectly apt metaphor for my Being: Half full, yet half empty; half there, half absent; wholly half, half hole. Two halves and half not. It's yet another context for seeing, as Wallace Stevens had it, "nothing that is not there, and the nothing that is;" that definite article makes all the difference. Though the moon is sometimes only partly lit, the outline of the missing piece is miraculously still clearly visible, another "(thing) invisible to see." What lies beneath is for me illusion, pure and simple--though, of course, neither pure nor simple.
Some people seem to have managed to fill the void for themselves, or perhaps for them it never existed; they've been whole, contented and fulfilled from the start. Others find many paths to get them there: drugs, meditation, religion, yoga, hiking, painting, creation in many forms. I've tried many of those, and yet "the nothing that is" remains, and feels like it always will. I envy those who feel complete and filled full, even those who only think they do; the inability to feel thus feels like ingratitude, especially for one such as I who, as I say, has been blessed beyond all even unreasonable expectation. It also, though, may have given me more insight into those people, like Van, who seem to have it all, who seem to be enlightened, or at least on the path there, who seem to be living comfortably in the material world, and who yet present a curmudgeonly side: "leave me alone and just let me do my art in peace," even though, without us, their fame and fortune would be impossible. But if, after achieving those things most of us profess a great longing for, one is still hollow at the core, only half there, then what? It's not an easy place to stand, but a place I can understand, beneath the overarching foreverness, trying to feel whole.
"...it's only castles burning...."
__________________________________________________________________
On an unrelated subject, except that everything connects: a former student of mine at UNH/Manchester (I think), Lisa Carver, had a wonderful piece in the Times magazine on Sunday, an appreciation, of sorts, of Yoko Ono. You should check it out; it raises lots of cool issues worth thinking about.
I have been a most fortunate man. My life has been, and continues to be, blessed by more love, kindness and support than any 5 people have a right to expect. I have been exposed to and immersed myself in music and literature of unsurpassed beauty and depth, the blood, sweat, toil and inspiration of some amazing minds. I have been given a wonderful family, both of origin and that which I had some small part in creating. I look out any window in my home and see nothing but the beauty of the natural world, colors, shapes, movement and flow of trees, flowers, leaves, mountains and sky, flora and fauna of great variety and breathtaking inspiration. At night, as when I arrived home and stepped out of the truck Saturday night, there's the immensity and wonder of the firmament hanging above me, a beauty and clarity that, alas, fewer and fewer people get to experience due to light pollution, maybe pollution in general, maybe general inability to see and wonder at. Stars uncountable, depths unseeable, size unimaginable, and all of it right...There. And yet it's not enough, it's never enough.
I think now, in ways I never realized before, that that night's moon is the perfectly apt metaphor for my Being: Half full, yet half empty; half there, half absent; wholly half, half hole. Two halves and half not. It's yet another context for seeing, as Wallace Stevens had it, "nothing that is not there, and the nothing that is;" that definite article makes all the difference. Though the moon is sometimes only partly lit, the outline of the missing piece is miraculously still clearly visible, another "(thing) invisible to see." What lies beneath is for me illusion, pure and simple--though, of course, neither pure nor simple.
Some people seem to have managed to fill the void for themselves, or perhaps for them it never existed; they've been whole, contented and fulfilled from the start. Others find many paths to get them there: drugs, meditation, religion, yoga, hiking, painting, creation in many forms. I've tried many of those, and yet "the nothing that is" remains, and feels like it always will. I envy those who feel complete and filled full, even those who only think they do; the inability to feel thus feels like ingratitude, especially for one such as I who, as I say, has been blessed beyond all even unreasonable expectation. It also, though, may have given me more insight into those people, like Van, who seem to have it all, who seem to be enlightened, or at least on the path there, who seem to be living comfortably in the material world, and who yet present a curmudgeonly side: "leave me alone and just let me do my art in peace," even though, without us, their fame and fortune would be impossible. But if, after achieving those things most of us profess a great longing for, one is still hollow at the core, only half there, then what? It's not an easy place to stand, but a place I can understand, beneath the overarching foreverness, trying to feel whole.
"...it's only castles burning...."
__________________________________________________________________
On an unrelated subject, except that everything connects: a former student of mine at UNH/Manchester (I think), Lisa Carver, had a wonderful piece in the Times magazine on Sunday, an appreciation, of sorts, of Yoko Ono. You should check it out; it raises lots of cool issues worth thinking about.
Monday, October 15, 2012
Can't You See I'm Busy?
For which, I guess, I should be grateful. But I've just embarked on a house project that looks like it promises to be the most stressful of my career. Alice says that I say that about every job, but this time I mean it. Really. Thus, for the foreseeable future, which for me is usually about 15 minutes, I shan't be doing a radio programme, and only a sketchy blog post. I miss you guys, man, and hope to get back to the real stuff soon.
Meanwhile this, lifted in its entirety from The Week, Oct 19 edition: "A congressman who sits on the House Committee on Science, Space and Technology has dismissed 'evolution, embryology (!--mine), and big bang theory' as 'lies from the pit of Hell.' Speaking to a church group, Rep. Paul Broun (R [there's a shock]-Ga. [and another] said that the earth is only 9,000 years old, and that science keeps people 'from understanding that they need a savior.'"
A-freakin'-men.
Meanwhile this, lifted in its entirety from The Week, Oct 19 edition: "A congressman who sits on the House Committee on Science, Space and Technology has dismissed 'evolution, embryology (!--mine), and big bang theory' as 'lies from the pit of Hell.' Speaking to a church group, Rep. Paul Broun (R [there's a shock]-Ga. [and another] said that the earth is only 9,000 years old, and that science keeps people 'from understanding that they need a savior.'"
A-freakin'-men.
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