Close and faithful readers may remember this post, sort of. It first appeared on Sept. 23, 2012 in slightly different form, but with a whole different list of songs. It's one of my favorites, if I'm allowed to say that, and I'm right back in that same place now, so, rather than re-inventing the wheel, I'm riding it again.
I remember it like it was yesterday: I was taking a test in Miss McDonald's (poor, tragic Libby) fifth-grade class when suddenly, for no apparent reason, I sat bolt upright, put down my pencil and looked around the room at my classmates, my teacher, the desks, chairs, blackboard, the clock, and thought "Holy shit" (or something like it--I used bad words even then)-- "I'm in fifth grade already; I'm ten years old!" My near-constant awareness of and absorption in the passage of time, how fleeting is our--and all our loved ones' --time here, an awareness which had likely always been there, but subliminal, was now right at the front of my brain, where it has remained to this moment.
I've had a love/hate relationship with Autumn all of my life, an ambivalence which is directly related to the above anecdote, I'm sure. On the one hand, here in New England, at least, it's the most dazzlingly glorious time of year; on the other, it's a harbinger of the cold and death soon to follow. The trees blaze with vivid reds, yellows, golds and that peculiar hue which is green-going-to-yellow, itself a return, as Frost noted so brilliantly in "Nothing Gold Can Stay," which begins with "Nature's first green is gold...." And the sky: is it just my imagination, or is it actually a deeper blue than at any other time of the year? Late-blooming flowers, fire-red sumacs, even the dun-colored grasses in meadows contribute to the almost overwhelming ecstatic riot of sensory stimulation all around us. You can practically hear the color.
For about two weeks. Then it all changes again. The first colors to go are the birds. Those we've been feeding all summer long, particularly the finches, my favorites because they're most colorful, are suddenly ravenous. The feeders need re-filling constantly, it seems, as the gold, red, and olive green creatures fatten themselves for their arduous flight south. One day, it dawns on us that they've vanished, just like that: "See ya next year, maybe." That happened this past Thursday. The leaves, meanwhile, have continued their inexorable, biologically-driven march to brown and crispy. One night there's a wind-driven rainstorm and the next day they, too, are suddenly gone. We are left bereft of vibrancy, resigned to subdued hues of brown, black, gray and white, of tree and chickadee, stone and snow, broken occasionally by a splash of evergreen or flash of blue jay.
For me, ever since at least the age of 10, this annual demonstration of death, albeit temporary, puts me in mind of the inevitability of real and permanent death. Every goddam year is a metaphor for every other goddam year, right up to the end. It's sorta like having a full-scale map of the world.
Poets, writers, thinkers of every stripe have dealt with this down through the ages, of course. The whole dying-and-rising god thing which has been the basis of so many religions arises (yes, I saw that) from this cycle. If the earth is reborn, why not we? Keats, in To Autumn ("Season of mists and mellow fruitfulness..."), concentrates on the beauty and bounty of early autumn, while Shelley, his friend and contemporary focuses on the other end of the season in "Autumn: A Dirge ("The warm sun is failing, the/bleak wind is wailing."); Andrew Marvell in To His Coy Mistress ("But at my back I always hear/ Time's winged chariot hurrying near," and Billy Collins in, ironically, "On Turning Ten," ("This is the beginning of sadness, I say to myself") have obviously felt it too. We all must; I'm curious at what age it really strikes each of us, this awareness, this knowledge. Why are we the only species, so far as we know, which is aware of our mortality? Wouldn't it be better to have no knowledge it was gonna come? Just live your life, find your acorns, eat your grass, your plankton, synthesize your photos, and then BAM, it's done. No dread, no sadness or longing, just the fact, which was there all along, unbeknownst.
Here are some songs to celebrate the beauty and mourn the fading:
All This Useless Beauty June Tabor
Beauty Linda Thompson
The Beauty Of The Days Gone By Van Morrison
The Beauty Of The Rain Dar Williams
Bird Of Beauty Stevie Wonder
Bound By The Beauty Jane Siberry
Came So Far For Beauty Jennifer Warnes
Chi-Wahwah Beauty Ottmar Liebert
For The Beauty Of The Earth Paul Winter Consort
For The Beauty Of Wynona Daniel Lanois
Hesitating Beauty Billy Bragg/Wilco
Temporary Beauty Graham Parker
Thing Of Beauty Hothouse Flowers
Ugly Beauty Friends Of Dean Martinez
Daylight Fading Counting Crows
Fading Away James Taylor
Fading Memory Eilen Jewell
Don't Fade Away Dead Can Dance
Don't fade Away Milla
Don't Fade Away Willie Nelson
Don't Fade On Me Tom Petty
Fade Away Ernest Ranglin
Fade Into Light Boz Scaggs
Fade To Black Dire Straits
Fadeaway The BoDeans
Not Fade Away James Taylor
Not Fade Away Stones
Noon till two on Tuesday, 91.5 FM, www.wool.fm on the webs. See ya there?
Is it a coincidence that we refer to Adam and Eve's transgression as "the Fall?" That's why we're mortal and know it. Damn.
Sunday, September 28, 2014
Monday, September 22, 2014
"Oh, How We Danced..."
I first heard that song, with an appended parenthetical to the title ("...Anniversary Song") on a Jim Capaldi album in 1972. The credited composers were Al Jolson and Saul Chaplin, but it turns out that they adapted the tune from an apparently quite famous Romanian composition, Waves Of The Danube, and Jolson wrote new lyrics, the first line of which is "Oh, how we danced on the night we were wed."
Yesterday I went to a 40th Anniversary celebration for two good friends whose wedding I was an usher in, one my friend of longest duration (Alice once had a young woman write in a composition about her "longest boyfriend;" we assumed that she, too, was referring to duration of the relationship, but I guess you never know...). To protect their identities I'll call them "Roberta (Bert)" and "Eric." Surviving 40 years of marriage is pretty mind-blowing, even if you're not married to Bert for that time; turns out Eric is superhuman. Anyway, it's kind of shocking to have contemporaries celebrating a 40th, given that I'm barely over 40 myself; some sort of time warp somewhere, I guess.
I looked up the socially-dictated, or accepted, traditional 40th anniversary gift, and found that it's ruby. So I wore a ruby-colored shirt to the festivities but, me being me and trying to force my proclivities and obsessions on others, I also put together a CD of all of the songs in my collection whose title contained the word "ruby" or "rubies." Turned out that I thought it was a great collection of songs, so I've decided to build the bulk of Tuesday's show around it. And by the way, when I told Eric that the traditional 40th thing was Ruby, he said "I thought it was Prozac." I told him I was pretty sure that that was for each of the first 39 years.
This week's show, though, will be--and I cast no aspersions here-- like a marsupial's penis: two-pronged (you could look it up...!). For on Saturday night I worked at a Billy Bragg concert at The Opera House in Bellows Falls, VT., and it was fabulous. I know, I should have written something before the show, to entice folks to go, but Mr. Bragg doesn't need that: the place was just 20 tickets shy of being sold out. Bragg is a committed Lefty, an often brilliant (and frequently very touching) songwriter, has something of a signature guitar sound, is very well-read and learned, and tells great stories. In fact, at one point near the end of the show, someone yelled out a request; Mr. Bragg, in as gentle a refusal as I believe I've ever heard, said "Well now, you see, madam, all you need to remember is the title: I, however, have to remember the title, the chords, the key, all of the lyrics, and the usual 5 minute bullshit introduction I probably used to give it." How do you not love that?
So, sort of two disparate playlists this week, perhaps linked by the fact that, as Bragg sings, "There is power in a union:"
Ruby Dave Rawlings Machine
Ruby Ray Charles
Ruby's Arms Tom Waits
Ruby's Eyes Tommy Emmanuel
Ruby Baby Donald Fagen
Ruby Dear Talking Heads
Ruby Heart The Guggenheim Grotto
Ruby Lane Milla
Ruby Lee Joe Cocker
Ruby On The Morning Brewer And Shipley
Ruby Sees All Cake
Ruby Tuesday Dual Sessions
Ruby Tuesday Melanie
Ruby Tuesday Rolling Septuagenarians
See Ruby Fall Johnny Cash
Rubylove Cat Stevens
Rubies & Diamonds Carla Olson & Mick Taylor
Ruby, My Dear Thelonius Monk & John Coltrane
Ruby, Don't Take Your Love To Town Cake
Oh How We Danced (Anniversary Song) Jim Capaldi
Anniversary Graham Parker
Anniversary Ronnie Lane & Slim Chance
Greetings To The New Brunette Billy Bragg
Ideology
Levi Stubbs' Tears
Must I Paint You A Picture
A New England
She's Got A New Spell
There is Power In A Union
Way Over Yonder In The Minor Key
Waiting For The Great Leap Forwards Billy Bragg
Yeah, three "Ruby Tuesday"'s but they're wicked different, so I'm playin' 'em all.
Tuesday, noon till two, the same old place, or the old Same Place, for you Nick Dangerists:
91.5 FM, wool.fm. And here's to the next 40!
Yesterday I went to a 40th Anniversary celebration for two good friends whose wedding I was an usher in, one my friend of longest duration (Alice once had a young woman write in a composition about her "longest boyfriend;" we assumed that she, too, was referring to duration of the relationship, but I guess you never know...). To protect their identities I'll call them "Roberta (Bert)" and "Eric." Surviving 40 years of marriage is pretty mind-blowing, even if you're not married to Bert for that time; turns out Eric is superhuman. Anyway, it's kind of shocking to have contemporaries celebrating a 40th, given that I'm barely over 40 myself; some sort of time warp somewhere, I guess.
I looked up the socially-dictated, or accepted, traditional 40th anniversary gift, and found that it's ruby. So I wore a ruby-colored shirt to the festivities but, me being me and trying to force my proclivities and obsessions on others, I also put together a CD of all of the songs in my collection whose title contained the word "ruby" or "rubies." Turned out that I thought it was a great collection of songs, so I've decided to build the bulk of Tuesday's show around it. And by the way, when I told Eric that the traditional 40th thing was Ruby, he said "I thought it was Prozac." I told him I was pretty sure that that was for each of the first 39 years.
This week's show, though, will be--and I cast no aspersions here-- like a marsupial's penis: two-pronged (you could look it up...!). For on Saturday night I worked at a Billy Bragg concert at The Opera House in Bellows Falls, VT., and it was fabulous. I know, I should have written something before the show, to entice folks to go, but Mr. Bragg doesn't need that: the place was just 20 tickets shy of being sold out. Bragg is a committed Lefty, an often brilliant (and frequently very touching) songwriter, has something of a signature guitar sound, is very well-read and learned, and tells great stories. In fact, at one point near the end of the show, someone yelled out a request; Mr. Bragg, in as gentle a refusal as I believe I've ever heard, said "Well now, you see, madam, all you need to remember is the title: I, however, have to remember the title, the chords, the key, all of the lyrics, and the usual 5 minute bullshit introduction I probably used to give it." How do you not love that?
So, sort of two disparate playlists this week, perhaps linked by the fact that, as Bragg sings, "There is power in a union:"
Ruby Dave Rawlings Machine
Ruby Ray Charles
Ruby's Arms Tom Waits
Ruby's Eyes Tommy Emmanuel
Ruby Baby Donald Fagen
Ruby Dear Talking Heads
Ruby Heart The Guggenheim Grotto
Ruby Lane Milla
Ruby Lee Joe Cocker
Ruby On The Morning Brewer And Shipley
Ruby Sees All Cake
Ruby Tuesday Dual Sessions
Ruby Tuesday Melanie
Ruby Tuesday Rolling Septuagenarians
See Ruby Fall Johnny Cash
Rubylove Cat Stevens
Rubies & Diamonds Carla Olson & Mick Taylor
Ruby, My Dear Thelonius Monk & John Coltrane
Ruby, Don't Take Your Love To Town Cake
Oh How We Danced (Anniversary Song) Jim Capaldi
Anniversary Graham Parker
Anniversary Ronnie Lane & Slim Chance
Greetings To The New Brunette Billy Bragg
Ideology
Levi Stubbs' Tears
Must I Paint You A Picture
A New England
She's Got A New Spell
There is Power In A Union
Way Over Yonder In The Minor Key
Waiting For The Great Leap Forwards Billy Bragg
Yeah, three "Ruby Tuesday"'s but they're wicked different, so I'm playin' 'em all.
Tuesday, noon till two, the same old place, or the old Same Place, for you Nick Dangerists:
91.5 FM, wool.fm. And here's to the next 40!
Saturday, September 13, 2014
To Be Or Not To Be--Richard Cory
I haven't weighed in on much of anything, lately; the thing I most want to address, Robin Williams's suicide, may be passe already (what a world, what a world, 24/7 news cycles, beheadings, and all), but I feel a need to speak up for and defend depressives, given that I've already acknowledged belonging to that group in previous posts.
Edwin Arlington Robinson saw it this way:
Whenever Richard Cory went down town,
We people on the pavement looked at him:
He was a gentleman from sole to crown,
Clean favored, and imperially slim.
And he was always quietly arrayed,
And he was always human when he talked;
But still he fluttered pulses when he said,
"Good-morning," and he glittered when he walked.
And he was rich--yes, richer than a king--
And admirably schooled in every grace:
In fine, we thought he was everything
To make us wish that we were in his place.
So on we worked, and waited for the light,
And went without the meat, and cursed the bread;
And Richard Corey, one calm summer night,
Went home and put a bullet through his head.
Bob Dylan once put it another way: "Don't go mistaking Paradise/For that home across the road." Shakespeare said "The eyes are the window to your soul," and The Hollies encouraged us to "Look through any window (yeah)," but our own myopia may be keeping us from seeing what's really inside.
I'm here to say that one can never, ever know what another's life is like. We may look in and see "riches" and "success," but what needs consideration are (is?) the demons within.
Depression is a terrible disease with which to contend. Its symptoms and effects are often not readily apparent, and it's not something with which we all have to live, which I think may inhibit understanding of the disease. Everyone, I daresay, is familiar with with situational depression, which is, I think, more correctly called "disappointment." Who hasn't had to cope with bad grades, or relationships gone awry, or jobs that don't work out, or that we don't get in the first place? Things don't go right for us, we have disappointments, we may sit with them for a while, but we cope, and we move on.
Clinical depression (or what I like to call "My Depression") is a whole 'nother beast. Circumstances don't matter, fame and fortune don't matter: what matters is the inner demons, the inner voices, that tell you that you fall short, that you're not good enough, that, no matter what the outer world sees, the inner world will never, ever, be satisfied. And that, my friends, is what I'm pretty sure Robin Williams was dealing with, as was the fictional Richard Cory, as are many of your friends, loved ones, and acquaintances, whether it's apparent or not. Riches, adulation, what is commonly thought of as "Success" are of no consequence. All of those are conquered, drowned out by the Inner Voice, which in many cases cannot be mollified: "our own worst enemy" is not an idle phrase.
Is this me condoning suicide? Not really. Is this me understanding the circumstances that might lead one to take its own life? Yeah, pretty sure that's it. Judge not, et cetera: as I have asserted here before, we all do what we have to to "make it through this life, if (we) can." And if we can't, others need to understand and make room for that decision. We're all going to the same place, anyway, whether we kill ourselves by rope, or by gun, or by booze or tobacco or other lifestyle choices, or by genetic fortune. As Ben Sidran says "See ya' on the other side." He was referring to an album (What, now?), but it's all the same.
So, am I gonna play something relevant to this post on my show this week? Nah--that'd be quite a bummer n'est-ce pas? I found a great Van bootleg from 1984 at Turn It Up last week, so I'm'a play that. It includes Dweller On The Threshold; I think that Mr. Morrison had something spiritual in mind, but for me it's a secular fact: we're all "dwellers on the threshold;" what lies on the other side is the mystery, and the adventure.
So, these songs this week, from Van Morrison:
Inarticulate Speech Of The Heart
Dweller On The Threshold
Vanlose Stairway
It's All In The Game
She Gives Me Religion
Help Me
Beautiful Vision
Northern Muse (Solid Ground)
Bright Side Of The Road
Celtic Ray
Higher Than The World
River Of Time
The Street Only Knew Your Name
Cry For Home
Haunts Of Ancient Peace
Cleaning Windows
Summertime In England
Full Force Gale
Also, Joe Sample died today, so I'm gonna play a few Crusaders songs, like "Hard Times," "Keep That Same Old Feeling," "It Happens Every Day," and Carole King's "So Far Away," among, possibly, others. See you Tuesday, maybe, from noon till two on WOOL FM, 91.5, or wool.fm on the webs.
"Oh, I wish that I could be Richard Cory:" maybe not so much....
Edwin Arlington Robinson saw it this way:
Whenever Richard Cory went down town,
We people on the pavement looked at him:
He was a gentleman from sole to crown,
Clean favored, and imperially slim.
And he was always quietly arrayed,
And he was always human when he talked;
But still he fluttered pulses when he said,
"Good-morning," and he glittered when he walked.
And he was rich--yes, richer than a king--
And admirably schooled in every grace:
In fine, we thought he was everything
To make us wish that we were in his place.
So on we worked, and waited for the light,
And went without the meat, and cursed the bread;
And Richard Corey, one calm summer night,
Went home and put a bullet through his head.
Bob Dylan once put it another way: "Don't go mistaking Paradise/For that home across the road." Shakespeare said "The eyes are the window to your soul," and The Hollies encouraged us to "Look through any window (yeah)," but our own myopia may be keeping us from seeing what's really inside.
I'm here to say that one can never, ever know what another's life is like. We may look in and see "riches" and "success," but what needs consideration are (is?) the demons within.
Depression is a terrible disease with which to contend. Its symptoms and effects are often not readily apparent, and it's not something with which we all have to live, which I think may inhibit understanding of the disease. Everyone, I daresay, is familiar with with situational depression, which is, I think, more correctly called "disappointment." Who hasn't had to cope with bad grades, or relationships gone awry, or jobs that don't work out, or that we don't get in the first place? Things don't go right for us, we have disappointments, we may sit with them for a while, but we cope, and we move on.
Clinical depression (or what I like to call "My Depression") is a whole 'nother beast. Circumstances don't matter, fame and fortune don't matter: what matters is the inner demons, the inner voices, that tell you that you fall short, that you're not good enough, that, no matter what the outer world sees, the inner world will never, ever, be satisfied. And that, my friends, is what I'm pretty sure Robin Williams was dealing with, as was the fictional Richard Cory, as are many of your friends, loved ones, and acquaintances, whether it's apparent or not. Riches, adulation, what is commonly thought of as "Success" are of no consequence. All of those are conquered, drowned out by the Inner Voice, which in many cases cannot be mollified: "our own worst enemy" is not an idle phrase.
Is this me condoning suicide? Not really. Is this me understanding the circumstances that might lead one to take its own life? Yeah, pretty sure that's it. Judge not, et cetera: as I have asserted here before, we all do what we have to to "make it through this life, if (we) can." And if we can't, others need to understand and make room for that decision. We're all going to the same place, anyway, whether we kill ourselves by rope, or by gun, or by booze or tobacco or other lifestyle choices, or by genetic fortune. As Ben Sidran says "See ya' on the other side." He was referring to an album (What, now?), but it's all the same.
So, am I gonna play something relevant to this post on my show this week? Nah--that'd be quite a bummer n'est-ce pas? I found a great Van bootleg from 1984 at Turn It Up last week, so I'm'a play that. It includes Dweller On The Threshold; I think that Mr. Morrison had something spiritual in mind, but for me it's a secular fact: we're all "dwellers on the threshold;" what lies on the other side is the mystery, and the adventure.
So, these songs this week, from Van Morrison:
Inarticulate Speech Of The Heart
Dweller On The Threshold
Vanlose Stairway
It's All In The Game
She Gives Me Religion
Help Me
Beautiful Vision
Northern Muse (Solid Ground)
Bright Side Of The Road
Celtic Ray
Higher Than The World
River Of Time
The Street Only Knew Your Name
Cry For Home
Haunts Of Ancient Peace
Cleaning Windows
Summertime In England
Full Force Gale
Also, Joe Sample died today, so I'm gonna play a few Crusaders songs, like "Hard Times," "Keep That Same Old Feeling," "It Happens Every Day," and Carole King's "So Far Away," among, possibly, others. See you Tuesday, maybe, from noon till two on WOOL FM, 91.5, or wool.fm on the webs.
"Oh, I wish that I could be Richard Cory:" maybe not so much....
Monday, August 25, 2014
Emmet Till: Death Do Us Part
My last post was greeted with some praise and approbation for its purported positive nature and tone. That surprised me some, as I had seen it as pretty neutral but, hey, I'll take approval anytime. Maybe, though, it was just because it wasn't "negative" or "depressing" or snarky, as so many of my things are seen to be. Seems to me that it's actually been a while since I've put one of those out there: Well, as they used to say in the intro to the old TV Western "Tonto and Companion" (revisionism hard at work, there) "Return with us now, to those thrilling days of yesteryear...."
I've had this thing percolating for a couple of weeks, the show ready to go for a while, so maybe that's part of it, but I'm just, frankly, sick to death of the topic, which is, basically, shame. I'm ashamed that I'm sitting here at my computer, writing some stupid and ineffectual white liberal words at a safe distance, rather than standing in NYC or Ferguson, MO, or any of dozens of places, shoulder-to-shoulder, showing solidarity with the black community (which is to say, really, just the human community), showing my outrage and sympathy at the racism that still pervades and permeates and poisons this otherwise pretty good country in which I live. I'm ashamed of being an American (this sort of racism is pretty much foreign to the rest of the developed world), ashamed of being white, ashamed of being human, for Chrissakes. Why is it that, through sheer accident of birth, I can feel (mostly) safe, secure, protected by those who are supposed to provide such protection, while other people, different from me only by virtue of their pigmentation, must fear those whose job is, nominally, to protect and serve? Why must some of my fellow countrymen consider every minute detail of their behavior or presentation every time they come into contact with a white person, especially a cop? How can this be true still, in 2014, if Darwin was right? Can't really see much racial-tolerance-evolution in my lifetime, can you? Have you heard that more money has been raised for the defense of the white cop who shot unarmed, hands-in-the-air Michael Brown six times, than for Brown's funeral and family? Really, what can anyone even say about this whole situation?
Gary Larson (of the late, lamented comic "The Far Side") had a typically brilliant cartoon years ago, called something like "What dogs hear," which showed a person talking lovingly to a dog, whose name was Ginger, saying the usual stuff we all say to our dogs, talking to them like they are people and understand our every word: What the dog heard was "Blah, blah, blah, blah, Ginger, blah, blah, blah...." That's what this feels like to me. It's the same old shit, over and over and over again (Dave Clark Five). So I guess all I wanna say, inarticulately and inelegantly and assuredly ineffectually, is "What is wrong with us?" Read about Emmett Till, read (again and again) Toni Morrison's masterpiece Song Of Solomon, which gives an amazing perspective on the issue of what blacks, from way before and, sickeningly, way after Emmett Till, in a purportedly post-racist America, must face, and how young black men, in particular, must learn to cope with a world which privileged whites--which is to say, for the most part, whites--never know. And, really, just listen to Mavis Staples and The Staple Singers' entire body of work, which addresses that life and that perspective in a singular and beautiful and incredibly inspiring, loving, understanding way. While The Staples alone are enough, here are the songs I'm playing this week:
Inner City Blues (Make Me Wanna Holler) Marvin Gaye
Ball Of Confusion (That's What The World Is Today) The Temptations
Get Up, Stand Up Bob Marley & The Wailers
Here I Stand Before Me Crash Test Dummies
I Ain't Gonna Stand For It Stevie Wonder
I Can't Stand It Maria Muldaur
I Can't Stand Up Alone Jesse Winchester
I Stand Accused King Curtis
Running To Stand Still U2
Stand The Bees
Living For The City Stevie Wonder
The Ghetto Donny Hathaway
Why Can't We Be Friends War
I'll Take You There The Staple Singers
Stand R.E.M.
Stand Sly & The Family Stone
Stand Amazed John Martyn
Stand And Be Counted Crosby, Stills, Nash&Young
Stand And Fight James Taylor
Stand Back The Allman Brothers Band
Stand By Me John Lennon
Stand Up Bim Skala Bim
Stand Up Bobby Womack
Stand Up (And Be Strong) Keb' Mo'
Train In Vain (Stand By Me) The Clash
Standing In My Shoes Leo Kottke
United We Stand Brotherhood Of Man
We Stand Together Harper
Slippin' Into Darkness War
The World Is A Ghetto War
Touch A Hand (Make A Friend) The Staple Singers
Hope to see you Tuesday, noon till two, on Wool FM, 91.5, or wool.fm on the webs.
"Who knows what evil lurks in the hearts...?" I don't think any of us really does.
I've had this thing percolating for a couple of weeks, the show ready to go for a while, so maybe that's part of it, but I'm just, frankly, sick to death of the topic, which is, basically, shame. I'm ashamed that I'm sitting here at my computer, writing some stupid and ineffectual white liberal words at a safe distance, rather than standing in NYC or Ferguson, MO, or any of dozens of places, shoulder-to-shoulder, showing solidarity with the black community (which is to say, really, just the human community), showing my outrage and sympathy at the racism that still pervades and permeates and poisons this otherwise pretty good country in which I live. I'm ashamed of being an American (this sort of racism is pretty much foreign to the rest of the developed world), ashamed of being white, ashamed of being human, for Chrissakes. Why is it that, through sheer accident of birth, I can feel (mostly) safe, secure, protected by those who are supposed to provide such protection, while other people, different from me only by virtue of their pigmentation, must fear those whose job is, nominally, to protect and serve? Why must some of my fellow countrymen consider every minute detail of their behavior or presentation every time they come into contact with a white person, especially a cop? How can this be true still, in 2014, if Darwin was right? Can't really see much racial-tolerance-evolution in my lifetime, can you? Have you heard that more money has been raised for the defense of the white cop who shot unarmed, hands-in-the-air Michael Brown six times, than for Brown's funeral and family? Really, what can anyone even say about this whole situation?
Gary Larson (of the late, lamented comic "The Far Side") had a typically brilliant cartoon years ago, called something like "What dogs hear," which showed a person talking lovingly to a dog, whose name was Ginger, saying the usual stuff we all say to our dogs, talking to them like they are people and understand our every word: What the dog heard was "Blah, blah, blah, blah, Ginger, blah, blah, blah...." That's what this feels like to me. It's the same old shit, over and over and over again (Dave Clark Five). So I guess all I wanna say, inarticulately and inelegantly and assuredly ineffectually, is "What is wrong with us?" Read about Emmett Till, read (again and again) Toni Morrison's masterpiece Song Of Solomon, which gives an amazing perspective on the issue of what blacks, from way before and, sickeningly, way after Emmett Till, in a purportedly post-racist America, must face, and how young black men, in particular, must learn to cope with a world which privileged whites--which is to say, for the most part, whites--never know. And, really, just listen to Mavis Staples and The Staple Singers' entire body of work, which addresses that life and that perspective in a singular and beautiful and incredibly inspiring, loving, understanding way. While The Staples alone are enough, here are the songs I'm playing this week:
Inner City Blues (Make Me Wanna Holler) Marvin Gaye
Ball Of Confusion (That's What The World Is Today) The Temptations
Get Up, Stand Up Bob Marley & The Wailers
Here I Stand Before Me Crash Test Dummies
I Ain't Gonna Stand For It Stevie Wonder
I Can't Stand It Maria Muldaur
I Can't Stand Up Alone Jesse Winchester
I Stand Accused King Curtis
Running To Stand Still U2
Stand The Bees
Living For The City Stevie Wonder
The Ghetto Donny Hathaway
Why Can't We Be Friends War
I'll Take You There The Staple Singers
Stand R.E.M.
Stand Sly & The Family Stone
Stand Amazed John Martyn
Stand And Be Counted Crosby, Stills, Nash&Young
Stand And Fight James Taylor
Stand Back The Allman Brothers Band
Stand By Me John Lennon
Stand Up Bim Skala Bim
Stand Up Bobby Womack
Stand Up (And Be Strong) Keb' Mo'
Train In Vain (Stand By Me) The Clash
Standing In My Shoes Leo Kottke
United We Stand Brotherhood Of Man
We Stand Together Harper
Slippin' Into Darkness War
The World Is A Ghetto War
Touch A Hand (Make A Friend) The Staple Singers
Hope to see you Tuesday, noon till two, on Wool FM, 91.5, or wool.fm on the webs.
"Who knows what evil lurks in the hearts...?" I don't think any of us really does.
Sunday, August 10, 2014
One (More)'s Too Many, And A Hundred's (Maybe) Not Enough
That awkward titular phrase (he said "tit") has been bastardized from a famous (at least for me) quote from Ray Milland's character in The Lost Weekend. Milland plays an alcoholic in the film, and he was referring to a drink when he uttered the line. I'm thinking about birthdays.
I've got one coming soon, you see--actually on the day of my show this week, for the first time, so I'm definitely gonna make it there on Tuesday, goddammit. And I'm writing about it for the same reason I laugh first, loudest and longest at anything I say that I think may be somewhat amusing: if I don't do it, maybe nobody else will, to paraphrase Dr. John. And while I may marvel at the fact that I'm sixty one (looks less scary to write it out rather than using numerals), and bemoan the fact that that's my real age, I sure hope there'll be plenty more birthdays comin'.
As any of you who've known me for a while, or have read several of these posts, knows, I've been cursed with a heightened sense of the passage of time throughout my life. From about the time I really understood that the rest of you are gonna die (still don't believe that'll happen to me), I've been freaked by the fleeting nature of life. Curiously, though, as I've aged I've become less so: I miss the slowed pace and seemingly endless days of childhood, true, but now, somewhere on the downslope of where my abilities really start to diminish: strength, stamina, mental acuity, ability to control drooling and other bodily fluid losses, before I start to lose my hair (What? No, I think you're mistaken about that....), I seem to be becoming more sanguine about the passage of time, about inevitability. I've been blessed all my life by family, friends, loved ones, general life circumstances, am maybe even more so now, if that's possible, and so I'm just kinda rolling with it. With the help of Depends (a trademarked product of Kimberly- Clark), even the actual golden part of the so-called Golden Years can be something to look forward to--or at least not something to be dreaded, as it used to be.
So here's to us all: I hope we can all enjoy the ride!
This week's playlist:
Caravan Van Morrison
Birthday Fabs
Birthday Boy Ween
The Birthday Present II Loudon Wainwright
Birth Of The Blues Ray Charles
Listen To The Lion Van Morrison
Sweet And Shiny Eyes Bonnie Raitt
Have A Good Time Paul Simon
Born In Captivity Alpha Band
Born Alone Wilco
Born At The Right Time Paul Simon
Born Secular Jenny Lewis/Watson Twins
I Was Born Natalie Merchant
Head Full Of Doubt/Road Full Of Promise The Avett Brothers
All The Years Beach House
On Saturday Afternoons In 1963 Rickie Lee Jones
Can't Outrun The Years Danny O'Keefe
Golden Years David Bowie
As The Years Go Passing By David Bromberg Band
Woman Of 1000 Years Fleetwood Mac
Worrisome Years Greg Brown
How Many More Years Howlin' Wolf
Come Up The Years Jefferson Airplane
Can't Turn Back The Years John Martyn
For A Thousand Years Marc Johnson
Here We Are In The Years Neil Young
Still Crazy After All These Years Paul Simon
Reelin' In The Years Steely Dan
Losing All The Years Seatrain
Wasted Years Van Morrison
Some of these songs obviously aren't, strictly speaking, about birthdays, or years, or that sort of thing. Listen To The Lion, for example, has no apparent connection, except for the fact that I'm a Leo, and it's by Van, and The Avett Bros. thing gives a glimpse into my worldview/thought process; also, I don't hope, or expect, to live for a thousand years, but the Fleetwood Mac song (from the Danny Kirwan-led incarnation of that band) is simply gorgeous. Anyway, c'mon along on Tuesday from noon till two on 91.5 FM, or wool.fm. We're all in this together, after all.
I've got one coming soon, you see--actually on the day of my show this week, for the first time, so I'm definitely gonna make it there on Tuesday, goddammit. And I'm writing about it for the same reason I laugh first, loudest and longest at anything I say that I think may be somewhat amusing: if I don't do it, maybe nobody else will, to paraphrase Dr. John. And while I may marvel at the fact that I'm sixty one (looks less scary to write it out rather than using numerals), and bemoan the fact that that's my real age, I sure hope there'll be plenty more birthdays comin'.
As any of you who've known me for a while, or have read several of these posts, knows, I've been cursed with a heightened sense of the passage of time throughout my life. From about the time I really understood that the rest of you are gonna die (still don't believe that'll happen to me), I've been freaked by the fleeting nature of life. Curiously, though, as I've aged I've become less so: I miss the slowed pace and seemingly endless days of childhood, true, but now, somewhere on the downslope of where my abilities really start to diminish: strength, stamina, mental acuity, ability to control drooling and other bodily fluid losses, before I start to lose my hair (What? No, I think you're mistaken about that....), I seem to be becoming more sanguine about the passage of time, about inevitability. I've been blessed all my life by family, friends, loved ones, general life circumstances, am maybe even more so now, if that's possible, and so I'm just kinda rolling with it. With the help of Depends (a trademarked product of Kimberly- Clark), even the actual golden part of the so-called Golden Years can be something to look forward to--or at least not something to be dreaded, as it used to be.
So here's to us all: I hope we can all enjoy the ride!
This week's playlist:
Caravan Van Morrison
Birthday Fabs
Birthday Boy Ween
The Birthday Present II Loudon Wainwright
Birth Of The Blues Ray Charles
Listen To The Lion Van Morrison
Sweet And Shiny Eyes Bonnie Raitt
Have A Good Time Paul Simon
Born In Captivity Alpha Band
Born Alone Wilco
Born At The Right Time Paul Simon
Born Secular Jenny Lewis/Watson Twins
I Was Born Natalie Merchant
Head Full Of Doubt/Road Full Of Promise The Avett Brothers
All The Years Beach House
On Saturday Afternoons In 1963 Rickie Lee Jones
Can't Outrun The Years Danny O'Keefe
Golden Years David Bowie
As The Years Go Passing By David Bromberg Band
Woman Of 1000 Years Fleetwood Mac
Worrisome Years Greg Brown
How Many More Years Howlin' Wolf
Come Up The Years Jefferson Airplane
Can't Turn Back The Years John Martyn
For A Thousand Years Marc Johnson
Here We Are In The Years Neil Young
Still Crazy After All These Years Paul Simon
Reelin' In The Years Steely Dan
Losing All The Years Seatrain
Wasted Years Van Morrison
Some of these songs obviously aren't, strictly speaking, about birthdays, or years, or that sort of thing. Listen To The Lion, for example, has no apparent connection, except for the fact that I'm a Leo, and it's by Van, and The Avett Bros. thing gives a glimpse into my worldview/thought process; also, I don't hope, or expect, to live for a thousand years, but the Fleetwood Mac song (from the Danny Kirwan-led incarnation of that band) is simply gorgeous. Anyway, c'mon along on Tuesday from noon till two on 91.5 FM, or wool.fm. We're all in this together, after all.
Sunday, July 27, 2014
The Law Of Gravity Should Be Repealed!
Anyone who knows me well will appreciate how ridiculous it is for me to be writing a piece about flying: never been in an airplane, hope never to be. I dream of flying occasionally, but it's never in a plane; it's always by dint of flapping arms. Since we went to the moon last week (in this space, at least), though, I thought we'd get just a little closer to terra-firma-- but SLOWLY, ssslooowly. I don't know if you've noticed it, but airplanes have been having an increasingly difficult time staying in the air.
It's not always their fault, I get that: bombs, birds, and Russian anti-aircraft missiles--to name just a few things-- all can have their effect on a craft's ability to stay aloft. And I get all of the stats about the safety of flight in general, and certainly when compared with travel by car; nevertheless, it's been a bad few weeks for airplanes, and gravity's winning.
But ever since Daedalus handed Icarus his lovely wings, since Newton got bonked on the noggin by Granny Smith, we've known that if it goes up it's comin' down. The best we can hope is to have some modicum of control over the descent, which come to think of it is probably a pretty good metaphor for the trip through life in general. I guess it's been on my mind more because the usual all-too-human combination of hubris, stupidity and mistake leads to horrifying events like the removal from the sky of the Malaysian Airlines plane we could find. And the fact that Jake leaves next week for 10 days in Israel via El Al airlines to the LZ known as Tel Aviv airport. Oy Vey.
So thinking of flight and planes and stuff led me to this playlist:
Airplane Rusted Root
Airplaneshadows Kiln
Blues From An Airplane Jefferson Airplane
Fat Angel Jefferson Airplane
Aeroplane Red Hot Chili Peppers
Jet Plane Johnny "Guitar" Watson
Leaving On A Jet Plane John Denver
Jet Plane In A Rocking Chair Richard & Linda Thompson
Planes & Satellites Sonia Dada
Steam Powered Aereo Plane John Hartford
Terraplane Blues Rory Block
Deportees (Plane Wreck at Los Gatos) Arlo Guthrie
Jet McCartney/Wings
Jet Airliner Paul Pena
Come Fly With Me Frank Sinatra
Expecting To Fly Buffalo Springfield
Fear With Flying Loudon Wainwright
Fly Nick Drake
Fly Steve Winwood
Fly Away Brother Jack McDuff
Flyin' High (In The Friendly Sky) Marvin gaye
Flyin' Shoes Townes Van Zandt
Flying The Beatles
Flying The Faces
Flying Michael Nesmith
Flying High Country Joe & The Fish
Flying Home Duke Robillard & Herb Ellis
Flying On The Ground Is Wrong Buffalo Springfield
Learning To Fly Pink Floyd
Join me, woncha, on Tuesday from noon till two on WOOL FM, 91.5 or wool.fm? It could be fun.
Just happened to hear on VT Public Radio the other day about a controversy about noise at Burlington Int'l Airport. Residents of a nearby neighborhood complained about the noise, it turned out that noise did in fact exceed allowable limits. Fortunately, they were able to reach a fair and equitable solution to the issue: the airport bought an entire neighborhood in order to level it. If a jet flies over a razed neighborhood, does it exceed allowable noise levels...?
It's not always their fault, I get that: bombs, birds, and Russian anti-aircraft missiles--to name just a few things-- all can have their effect on a craft's ability to stay aloft. And I get all of the stats about the safety of flight in general, and certainly when compared with travel by car; nevertheless, it's been a bad few weeks for airplanes, and gravity's winning.
But ever since Daedalus handed Icarus his lovely wings, since Newton got bonked on the noggin by Granny Smith, we've known that if it goes up it's comin' down. The best we can hope is to have some modicum of control over the descent, which come to think of it is probably a pretty good metaphor for the trip through life in general. I guess it's been on my mind more because the usual all-too-human combination of hubris, stupidity and mistake leads to horrifying events like the removal from the sky of the Malaysian Airlines plane we could find. And the fact that Jake leaves next week for 10 days in Israel via El Al airlines to the LZ known as Tel Aviv airport. Oy Vey.
So thinking of flight and planes and stuff led me to this playlist:
Airplane Rusted Root
Airplaneshadows Kiln
Blues From An Airplane Jefferson Airplane
Fat Angel Jefferson Airplane
Aeroplane Red Hot Chili Peppers
Jet Plane Johnny "Guitar" Watson
Leaving On A Jet Plane John Denver
Jet Plane In A Rocking Chair Richard & Linda Thompson
Planes & Satellites Sonia Dada
Steam Powered Aereo Plane John Hartford
Terraplane Blues Rory Block
Deportees (Plane Wreck at Los Gatos) Arlo Guthrie
Jet McCartney/Wings
Jet Airliner Paul Pena
Come Fly With Me Frank Sinatra
Expecting To Fly Buffalo Springfield
Fear With Flying Loudon Wainwright
Fly Nick Drake
Fly Steve Winwood
Fly Away Brother Jack McDuff
Flyin' High (In The Friendly Sky) Marvin gaye
Flyin' Shoes Townes Van Zandt
Flying The Beatles
Flying The Faces
Flying Michael Nesmith
Flying High Country Joe & The Fish
Flying Home Duke Robillard & Herb Ellis
Flying On The Ground Is Wrong Buffalo Springfield
Learning To Fly Pink Floyd
Join me, woncha, on Tuesday from noon till two on WOOL FM, 91.5 or wool.fm? It could be fun.
Just happened to hear on VT Public Radio the other day about a controversy about noise at Burlington Int'l Airport. Residents of a nearby neighborhood complained about the noise, it turned out that noise did in fact exceed allowable limits. Fortunately, they were able to reach a fair and equitable solution to the issue: the airport bought an entire neighborhood in order to level it. If a jet flies over a razed neighborhood, does it exceed allowable noise levels...?
Sunday, July 20, 2014
One Small Step
Sunday, July 20, 2014 marked the 45th anniversary of humans first setting foot on an orb floating in space other than Earth, at least so far as we know. On that July afternoon (Earth time), Neil Armstrong stepped onto the moon and spoke one of the best-known (mis) quotes, I think, in human history (excepting, perhaps, McCartney's wrongly-quoted line from "Live And Let Die"), "That's one small step for (a) man, one giant leap for Mankind."
And the jury's still out, I think, on whether or not this was a good thing. The US is, of course, the only country to have landed men there (six times between 1969 and 1972), but we haven't done it since, which is really somewhat surprising. I heard Neil deGrasse Tyson, the new, black, Carl Sagan, on NPR as I was brush-hogging my little section of Earth yesterday, and he said he was 10 years old for that first landing, and figured that it would be a pretty regular occurrence after that, at least a monthly thing.
Why did we stop so completely? Some blame staggering costs; the money that would otherwise be spent on such an ambitious Space Program would be far better spent on terrestrial projects. As a staunch stay-at-home Yankee, I heartily endorse that position, but wonder why, then, we aren't in fact spending that money on those in need. Others blame lack of political will, which kind of goes hand-in-hand with the financial piece, I'm sure. Still others say that we don't have the ability to plan and see through such long-term projects; on the face of it that seems odd: if we could do it back then, why would we have lost the ability? But, then, given the frenetic, decreased-attention-span, 140 characters-at a-time-society (is this a hyphen-heavy post, or what?) we've become, maybe that's true. And of course there are people who insist that we've never really done it at all, that those "landings" all took place on Hollywood soundstages. Whatever the reason, we've certainly folded the lunar tent; it's not unlikely that the next person on the moon will be Chinese. And some people believe that it's too late anyway, that our ever having gone there has screwed the moon up, that the moon we used to know is no longer.
In 1977, I did my first stint as an Acworth resident, for about 8 months. I rented a little timber-framed house on Rte. 123A, really quite a charming place for the most part. During that time I subscribed to (or "took," as old-timers would say) The Keene Sentinel, an afternoon daily newspaper. My paper"boy" was himself an old Yankee, in his seventies, who drove a battered old Jeep Cherokee. One evening, after getting home from work, I walked down the driveway to see if the paper had arrived, at just the time he pulled up to the delivery tube. There was a nearly-full moon that evening, with a large ring around it, which everyone I knew knew meant rain coming soon. We shot the breeze for a few minutes, the paperoldtimer and I, and eventually talk came around to that celestial sight and its forecasting properties. His view? "Yep, time was you could tell the weather from a ring around the moon like that, but ever since we went there, you can't tell nuthin' from it." As my favorite plumber is fond of saying, "Shit luck beats science every time."
Below you'll find a real writer's take on the above anecdote. It's a poem from Alice B. Fogel's collection titled Elemental:
And the jury's still out, I think, on whether or not this was a good thing. The US is, of course, the only country to have landed men there (six times between 1969 and 1972), but we haven't done it since, which is really somewhat surprising. I heard Neil deGrasse Tyson, the new, black, Carl Sagan, on NPR as I was brush-hogging my little section of Earth yesterday, and he said he was 10 years old for that first landing, and figured that it would be a pretty regular occurrence after that, at least a monthly thing.
Why did we stop so completely? Some blame staggering costs; the money that would otherwise be spent on such an ambitious Space Program would be far better spent on terrestrial projects. As a staunch stay-at-home Yankee, I heartily endorse that position, but wonder why, then, we aren't in fact spending that money on those in need. Others blame lack of political will, which kind of goes hand-in-hand with the financial piece, I'm sure. Still others say that we don't have the ability to plan and see through such long-term projects; on the face of it that seems odd: if we could do it back then, why would we have lost the ability? But, then, given the frenetic, decreased-attention-span, 140 characters-at a-time-society (is this a hyphen-heavy post, or what?) we've become, maybe that's true. And of course there are people who insist that we've never really done it at all, that those "landings" all took place on Hollywood soundstages. Whatever the reason, we've certainly folded the lunar tent; it's not unlikely that the next person on the moon will be Chinese. And some people believe that it's too late anyway, that our ever having gone there has screwed the moon up, that the moon we used to know is no longer.
In 1977, I did my first stint as an Acworth resident, for about 8 months. I rented a little timber-framed house on Rte. 123A, really quite a charming place for the most part. During that time I subscribed to (or "took," as old-timers would say) The Keene Sentinel, an afternoon daily newspaper. My paper"boy" was himself an old Yankee, in his seventies, who drove a battered old Jeep Cherokee. One evening, after getting home from work, I walked down the driveway to see if the paper had arrived, at just the time he pulled up to the delivery tube. There was a nearly-full moon that evening, with a large ring around it, which everyone I knew knew meant rain coming soon. We shot the breeze for a few minutes, the paperoldtimer and I, and eventually talk came around to that celestial sight and its forecasting properties. His view? "Yep, time was you could tell the weather from a ring around the moon like that, but ever since we went there, you can't tell nuthin' from it." As my favorite plumber is fond of saying, "Shit luck beats science every time."
Below you'll find a real writer's take on the above anecdote. It's a poem from Alice B. Fogel's collection titled Elemental:
Objects In Mirror Are
Closer Than They Appear
It’s
hard to tell
that
the face of the moon
is
as much like a man’s
as
god’s. Out yonder,
in
the world without us,
who’s
to say? –
Either
we get in the way,
or
things make use of us.
Half-way
around the globe
from
where they started,
the
static sound of starlings
echoes
off the barn roof.
Spiders
weave in the spokes
of
wheels, and stars
circle
unsuspecting suns.
Little
do we know,
the
world has a talent
for
making itself at home.
Meanwhile,
we paint our self-
portraits
on everything
imaginable,
then hold
them
up like mirrors.
Our
mercurial brushes
grow
longer, our skills
more
acute. Dust clouds
the
vision, tinder
to
the eye. So we burn
trees
to save the forests, burn
air
to fly afar. We do, we say.
We
can. The time
is
close at hand. Time was
(said
a man)
you
could tell the weather from the moon.
That
was before another
broke
the quicksilver distance
and
walked all over it.
Now
you can’t tell a thing.
So there'll be lots of "moon" songs this week, although they barely scratch the surface of possibilities from my collection. Herewith, what I think is my favorite playlist in my 4 year DJ career:
Bad Moon Rising Creedence Clearwater Revival
Banjo Moon Greg Brown
Beautiful Moons Benny Green
Billboard On The Moon (Live) Dirk Hamilton
Blue Moon Dylan
Black Moon Wilco
Blue Moon Beck
Bringing Down The Moon John Stewart
Cajun Moon J.J. Cale
Calling The Moon Dar Williams
Casablanca Moonlight Michael Nesmith
Child Of The Moon Rolling Septuagenarians
Circus On The Moon Bruce Hornsby
Clocks And Spoons John Prine
Shoot The Moonlight Out Garland Jeffreys
Man On The Moon R.E.M.
Armstrong John Stewart
Drunk On The Moon Tom Waits
Every Inch A Moon Dirk Hamilton
Drawing Down The Moon Steve Tibbets
Eldorado To The Moon Michael Nesmith
Fly Me To The Moon Bobby Womack
Goodnight Moon Shivaree
Grapefruit Moon Tom Waits
Hey You (Looking At The Moon) Graham Nash
Here Comes The Moon George Harrison
How High The Moon Emmylou Harris
It's Only A Paper Moon Barney Kessel/Stephane Grappelli
Kiko And The Lavender Moon Los Lobos
Moonage Daydream David Bowie
The Moon Is A Harsh Mistress Charlie Haden/ Pat Metheny
Pink Moon Nick Drake
Sun Loves Moon Nick Robertson
Once In A Blue Moon Van Morrison
Moonlight Sonata Ludwig Van Beethoven
I'm sure I've left out some of your favorites but, basically, tough shit-- so I sure hope you'll tune in Tuesday, from noon till two on Wool FM, 91.5, or wool.fm on the webs.
A couple more things: Charlie Haden and Bobby Womack both recently passed, so their songs are both doing double-duty, as songs for the theme and as tributes.
And I saw a bumper sticker yesterday in Alstead on a truck with Vermont plates that said "Guns Don't Kill People:Abortion Clinics Do." I was impressed by that. In 7 short words, 2 assertions, both of which I vehemently disagree with. A-plus for conciseness, at least....
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